1 00:00:01,021 --> 00:00:06,021 DOWNLOADED FROM WWW.AWAFIM.TV 2 00:00:06,021 --> 00:00:08,021 [intriguing music plays] 3 00:00:22,062 --> 00:00:27,354 [whistle blows] 4 00:00:27,437 --> 00:00:29,604 [exciting music plays] 5 00:00:31,021 --> 00:00:32,771 [car horn honking] 6 00:00:35,312 --> 00:00:36,729 [Enola panting] 7 00:00:38,104 --> 00:00:39,146 [policeman 1] Stop, police! 8 00:00:40,479 --> 00:00:42,187 [policeman 2] Stop that girl! 9 00:00:43,146 --> 00:00:44,562 -[woman 1 shouts] -[Enola] Excuse me! 10 00:00:44,646 --> 00:00:46,021 -[woman 2 shrieks] -[man 1 shouts] 11 00:00:46,104 --> 00:00:47,521 -[Enola] Terribly sorry. -[man 2] Oi! 12 00:00:47,604 --> 00:00:50,104 -[horse whinnies] -[man 3] Watch where you're sodding going! 13 00:00:50,187 --> 00:00:52,021 [exciting music continues] 14 00:00:52,104 --> 00:00:53,146 [policeman 1] Stop her! 15 00:00:55,812 --> 00:00:57,354 [tense music plays] 16 00:01:07,979 --> 00:01:09,146 [music stops] 17 00:01:09,229 --> 00:01:10,562 Perhaps I should explain. 18 00:01:11,604 --> 00:01:13,437 [exciting music plays] 19 00:01:13,521 --> 00:01:14,979 My name is Enola Holmes. 20 00:01:15,062 --> 00:01:16,687 You may remember me. 21 00:01:16,771 --> 00:01:17,604 [exhales] 22 00:01:17,687 --> 00:01:19,354 After solving my first case… 23 00:01:19,896 --> 00:01:21,604 [grunts] Hello. 24 00:01:22,479 --> 00:01:23,979 [Enola] …I started a business. 25 00:01:25,146 --> 00:01:26,854 A detective agency. 26 00:01:28,187 --> 00:01:31,396 Open and ready for my first clients. 27 00:01:32,354 --> 00:01:35,604 I was going to join the pantheon of great Victorian detectives. 28 00:01:36,229 --> 00:01:37,437 -Detective Field. -[Field] Yes. 29 00:01:37,521 --> 00:01:38,854 -[Enola] Mackenzie Macintosh. -Hi. 30 00:01:38,937 --> 00:01:40,646 -[Enola] Sir Alfred Hornblower. -Tally-ho! 31 00:01:40,729 --> 00:01:44,187 -[Enola] And the infamous Reginald Swain. -[Swain growls] 32 00:01:44,271 --> 00:01:47,562 And best of all, I would be joining my brother. 33 00:01:47,646 --> 00:01:48,812 I would be his equal. 34 00:01:50,646 --> 00:01:52,687 A detective in my own right, 35 00:01:53,812 --> 00:01:55,687 worthy of the Holmes name. 36 00:01:57,354 --> 00:01:58,479 Congratulations. 37 00:01:58,562 --> 00:01:59,437 [dog yapping] 38 00:02:01,771 --> 00:02:03,604 -[Enola] Or so I thought. -[bell rings] 39 00:02:05,604 --> 00:02:07,187 [woman blows nose] 40 00:02:09,187 --> 00:02:11,187 Am I addressing the secretary? 41 00:02:12,021 --> 00:02:13,729 You're how old? 42 00:02:13,812 --> 00:02:16,396 -Stone the crows, you're young. -[Enola] My age is an advantage. 43 00:02:16,479 --> 00:02:20,229 I can go to places others can't, explore where others won't. 44 00:02:20,312 --> 00:02:22,396 And I can fight. I know jujitsu. 45 00:02:22,479 --> 00:02:23,396 [grunting] 46 00:02:23,479 --> 00:02:25,229 [exciting music plays] 47 00:02:25,812 --> 00:02:28,146 But you're a girl. 48 00:02:28,229 --> 00:02:30,021 Yes, I am. Um… 49 00:02:30,104 --> 00:02:32,229 What experience have you had? 50 00:02:32,312 --> 00:02:34,146 [exciting music plays] 51 00:02:35,229 --> 00:02:38,021 -The Tewkesbury case? -Well, that was Sherlock Holmes. 52 00:02:38,104 --> 00:02:39,187 -That was Sherlock-- -Sherlock-- 53 00:02:39,271 --> 00:02:43,104 -Sherlock Holmes, wasn't it? -I assure you, it was mine. 54 00:02:43,187 --> 00:02:46,104 Good man, that Tewkesbury. Brave lad. 55 00:02:46,187 --> 00:02:47,146 -Tell me-- 56 00:02:47,229 --> 00:02:49,146 -Tell me-- -Yes? 57 00:02:50,104 --> 00:02:51,396 Might your brother be free? 58 00:02:51,479 --> 00:02:52,937 [exciting music continues] 59 00:02:53,021 --> 00:02:55,854 Read all about it! Read all about it! 60 00:02:55,937 --> 00:02:59,729 Sherlock Holmes and the case of the Brixton corpse. 61 00:02:59,812 --> 00:03:01,229 [Enola] So, my brother. 62 00:03:01,979 --> 00:03:05,896 While I had not a single case, Sherlock has been drowning in them. 63 00:03:06,479 --> 00:03:07,896 [journalists clamor] 64 00:03:07,979 --> 00:03:10,896 Though his latest appears to be vexing him. 65 00:03:12,979 --> 00:03:15,937 My mother, meanwhile, is still on the run. 66 00:03:16,437 --> 00:03:17,729 [Eudoria whistles] 67 00:03:17,812 --> 00:03:20,229 And trying not to draw attention to herself. 68 00:03:22,479 --> 00:03:23,521 [screaming] 69 00:03:23,604 --> 00:03:25,937 [chuckles] Though that's never been her forte. 70 00:03:38,812 --> 00:03:41,229 [gentle harp music plays] 71 00:03:41,312 --> 00:03:45,687 [Enola] Yes, and then there is… him. 72 00:03:45,771 --> 00:03:49,312 [Tewkesbury] My lords, reform is not a task to be accomplished, 73 00:03:49,396 --> 00:03:50,979 nor a bill that can be passed. 74 00:03:51,521 --> 00:03:54,104 Rather it is a constant need for change. 75 00:03:54,187 --> 00:03:55,562 [members in Parliament cheering] 76 00:03:56,604 --> 00:04:01,271 [Enola] Lord Tewkesbury, the champion of change and progress. 77 00:04:01,771 --> 00:04:04,396 A man to approach with the noblest cause. 78 00:04:05,187 --> 00:04:10,479 [choir singing majestically] ♪ Till we have built Jerusalem ♪ 79 00:04:10,562 --> 00:04:12,521 [song fades to silence] 80 00:04:15,646 --> 00:04:16,854 [gentle music plays] 81 00:04:16,937 --> 00:04:19,062 [Enola] But I had no time for distractions. 82 00:04:19,146 --> 00:04:21,437 And besides, he's still a nincompoop. 83 00:04:22,562 --> 00:04:25,854 [Eudoria] Too many people make it their sole purpose in life 84 00:04:25,937 --> 00:04:28,271 to fit into the world around them. 85 00:04:29,354 --> 00:04:30,687 This is a mistake. 86 00:04:31,854 --> 00:04:33,771 It's your path, Enola. 87 00:04:34,771 --> 00:04:36,354 Sometimes, you'll stumble. 88 00:04:37,521 --> 00:04:38,937 Sometimes, you'll fall. 89 00:04:39,604 --> 00:04:41,729 But no matter how lost you feel, 90 00:04:42,396 --> 00:04:44,187 if you stay true to yourself, 91 00:04:44,687 --> 00:04:47,729 the path will always find you again. 92 00:04:50,771 --> 00:04:53,729 [Enola] But my path, it seemed, had come to an end. 93 00:04:53,812 --> 00:04:56,187 [melancholy music plays] 94 00:04:56,271 --> 00:04:57,229 I was a failure. 95 00:04:59,604 --> 00:05:01,271 All I could do now was go home. 96 00:05:01,354 --> 00:05:02,937 [melancholy music continues] 97 00:05:08,687 --> 00:05:09,521 [groans] 98 00:05:10,021 --> 00:05:12,146 [bell rings] 99 00:05:12,229 --> 00:05:13,187 [door closes] 100 00:05:21,437 --> 00:05:22,687 [melancholy music fades] 101 00:05:23,729 --> 00:05:24,979 [hopeful music plays] 102 00:05:25,771 --> 00:05:26,771 Enola Holmes? 103 00:05:27,354 --> 00:05:28,229 Yes? 104 00:05:28,729 --> 00:05:30,437 I've come to the right place then. 105 00:05:32,729 --> 00:05:34,521 Is it true you find lost people? 106 00:05:37,937 --> 00:05:39,104 Where did you get this? 107 00:05:39,771 --> 00:05:40,729 It's months old. 108 00:05:41,271 --> 00:05:42,604 I found it on the street. 109 00:05:44,896 --> 00:05:45,937 Who have you lost? 110 00:05:48,604 --> 00:05:49,604 My sister. 111 00:05:49,687 --> 00:05:51,687 [intriguing music plays] 112 00:06:04,646 --> 00:06:05,479 [girl] Watch the gap. 113 00:06:06,479 --> 00:06:08,479 [intriguing music continues] 114 00:06:13,812 --> 00:06:15,521 [girl] She disappeared a week ago. 115 00:06:16,062 --> 00:06:19,104 Everyone says she's run away, but Sarah wouldn't do that, 116 00:06:19,187 --> 00:06:20,021 not to me. 117 00:06:21,312 --> 00:06:22,771 She's my only family now. 118 00:06:23,312 --> 00:06:25,312 [intriguing music continues] 119 00:06:27,187 --> 00:06:28,062 [girl] This way. 120 00:06:31,812 --> 00:06:33,521 The other girls are still at work. 121 00:06:36,771 --> 00:06:37,604 Tea? 122 00:06:38,854 --> 00:06:39,771 [Enola] Thank you. 123 00:06:41,687 --> 00:06:42,896 Might I see her bedroom? 124 00:06:43,521 --> 00:06:44,646 Ours, you mean? 125 00:06:45,896 --> 00:06:47,312 You're standing in it. 126 00:06:50,604 --> 00:06:53,146 We're lucky. Most girls here are five to a room. 127 00:06:58,896 --> 00:06:59,812 This might help. 128 00:07:02,187 --> 00:07:03,687 -[mouse squeaks] -[Enola yelps] 129 00:07:03,771 --> 00:07:06,479 Oh. Sarah likes to leave cheese out for 'em. 130 00:07:08,229 --> 00:07:09,104 She's soft. 131 00:07:09,646 --> 00:07:10,479 [chuckles] 132 00:07:12,687 --> 00:07:14,771 What does she look like, Sarah? 133 00:07:14,854 --> 00:07:16,479 About this tall. 134 00:07:17,479 --> 00:07:18,312 Pretty. 135 00:07:18,396 --> 00:07:19,521 Very pretty. 136 00:07:19,604 --> 00:07:22,562 Green eyes, red hair, freckles-- 137 00:07:22,646 --> 00:07:23,896 Red hair? 138 00:07:24,604 --> 00:07:26,687 We weren't sisters in the usual way. 139 00:07:27,271 --> 00:07:28,229 [girl 2] Found sisters. 140 00:07:29,062 --> 00:07:30,021 Sarah took her in. 141 00:07:30,854 --> 00:07:32,312 Who's this, Bess? 142 00:07:32,979 --> 00:07:35,229 -Enola Holmes. -She's a detective. 143 00:07:35,312 --> 00:07:37,312 She looks like she'll blow over in the wind. 144 00:07:37,396 --> 00:07:38,271 Mae! 145 00:07:40,187 --> 00:07:41,021 [Mae scoffs] 146 00:07:41,646 --> 00:07:45,437 [Enola] So, Bessie, what was Sarah wearing the day she disappeared? 147 00:07:46,479 --> 00:07:48,229 -What's she doing? -Shh. 148 00:07:48,812 --> 00:07:50,104 [Mae] She's wasting her time. 149 00:07:51,104 --> 00:07:53,271 It was her other dress, the green one. 150 00:07:53,354 --> 00:07:56,062 [intriguing music plays] 151 00:07:56,146 --> 00:07:57,479 Does she like reading? 152 00:07:57,562 --> 00:07:59,604 Oh yes. She taught herself. 153 00:08:00,229 --> 00:08:03,396 Sarah said you had to learn about the world if you're gonna live in it. 154 00:08:04,354 --> 00:08:05,271 [Eudoria laughs] 155 00:08:08,771 --> 00:08:09,646 [Enola] Makeup. 156 00:08:11,146 --> 00:08:12,271 Did she have a suitor? 157 00:08:12,354 --> 00:08:15,229 [Bessie] Nah. But there's plenty have taken an interest. 158 00:08:18,396 --> 00:08:19,937 She weren't much of a gardener. 159 00:08:20,021 --> 00:08:22,562 [intriguing music continues] 160 00:08:23,604 --> 00:08:25,979 Look, how about you quit sniffing round? 161 00:08:26,062 --> 00:08:28,271 [Bessie] Quiet, Mae! Just let her do her job. 162 00:08:31,021 --> 00:08:33,062 [intriguing music continues] 163 00:08:41,771 --> 00:08:42,687 [Enola blows] 164 00:08:43,562 --> 00:08:47,229 The 12th of March. Does that date mean anything to you? 165 00:08:47,312 --> 00:08:48,312 [Mae] That's enough. 166 00:08:48,812 --> 00:08:50,854 We don't need help from people like you. 167 00:08:51,604 --> 00:08:53,729 I found her, so she's staying. 168 00:08:58,562 --> 00:09:00,854 -[Mae] Bloody girls poking their nose in. -[Enola chuckles] 169 00:09:02,187 --> 00:09:04,937 -And she didn't leave a note? -Just this. 170 00:09:07,854 --> 00:09:10,937 She worked two jobs, you see. We couldn't get by without it. 171 00:09:11,021 --> 00:09:12,729 Washed glasses at a pub. 172 00:09:13,312 --> 00:09:15,354 Some place called The Stag Antlers. 173 00:09:16,521 --> 00:09:17,396 You can have it. 174 00:09:18,271 --> 00:09:22,437 Oh. No, it's all right. We'll figure that out later. 175 00:09:23,312 --> 00:09:25,937 So tell me, when was the last time you saw her? 176 00:09:26,021 --> 00:09:29,229 A week ago, at the match factory. 177 00:09:29,312 --> 00:09:32,937 She had a fight with Mr. Crouch, the foreman, in his office. 178 00:09:33,021 --> 00:09:35,229 -What about? -He said she was thieving. 179 00:09:35,729 --> 00:09:36,937 But Sarah's honest. 180 00:09:37,021 --> 00:09:39,979 The match factory, is that where she works? 181 00:09:40,062 --> 00:09:43,312 Where we all work. We're match girls, ain't we? 182 00:09:45,021 --> 00:09:49,437 -Then that's where we'll start. -So you'll take it? You'll take the case? 183 00:09:50,312 --> 00:09:52,146 [hopeful music plays] 184 00:09:53,646 --> 00:09:54,896 Thank you, Miss Holmes. 185 00:09:55,437 --> 00:09:56,271 Thank you. 186 00:09:58,062 --> 00:10:00,354 [Enola] At last, my first case. 187 00:10:00,437 --> 00:10:01,812 Well, actually, my second. 188 00:10:02,396 --> 00:10:04,229 I shall find you, Sarah Chapman. 189 00:10:04,312 --> 00:10:08,396 Red hair, green dress, makeup, science books, 12th March. 190 00:10:08,479 --> 00:10:09,854 Whatever you've been up to… 191 00:10:10,604 --> 00:10:12,104 [whistle blows] 192 00:10:12,187 --> 00:10:13,646 …the game is afoot. 193 00:10:15,062 --> 00:10:16,937 [Bessie] Stay with me. Follow my way. 194 00:10:18,771 --> 00:10:23,104 -[Enola] How many girls work here? -[Bessie] Five hundred, maybe six. 195 00:10:24,562 --> 00:10:25,604 [Enola] How do I look? 196 00:10:25,687 --> 00:10:28,812 -Is my neckerchief all right? -Oh, well, it's around your neck. 197 00:10:29,854 --> 00:10:30,854 Morning, Bessie. 198 00:10:30,937 --> 00:10:31,854 Morning, Doris. 199 00:10:38,396 --> 00:10:39,479 [foreman] Mouth. 200 00:10:40,687 --> 00:10:41,521 Mouth. 201 00:10:43,062 --> 00:10:44,271 -Mouth. -[man] Come on. 202 00:10:45,229 --> 00:10:46,687 -Next. -Out. 203 00:10:46,771 --> 00:10:48,812 -[girl] Please, Mr. Crouch. -[Crouch] I said, out. 204 00:10:49,521 --> 00:10:51,854 -Mouth. -What are you looking at? 205 00:10:52,562 --> 00:10:55,187 [Crouch] Oi, new girl. Name in the register. 206 00:10:55,271 --> 00:10:57,229 [tense music plays] 207 00:11:02,021 --> 00:11:02,854 Mouth. 208 00:11:04,604 --> 00:11:06,937 -What are you looking for? -Typhus. 209 00:11:08,812 --> 00:11:10,521 [machinery creaks] 210 00:11:10,604 --> 00:11:12,604 [gloomy music plays] 211 00:11:15,146 --> 00:11:16,562 [Bessie] That's the phosphorus. 212 00:11:17,479 --> 00:11:19,687 Don't worry, you get used to the smell. 213 00:11:20,562 --> 00:11:22,562 [gloomy music continues] 214 00:11:29,729 --> 00:11:31,479 Is this where she worked? 215 00:11:32,479 --> 00:11:33,896 Put the matches on the comb… 216 00:11:36,312 --> 00:11:37,271 slide 'em along, 217 00:11:38,396 --> 00:11:39,562 up and into the box. 218 00:11:40,271 --> 00:11:41,104 Simple enough. 219 00:11:43,146 --> 00:11:45,437 -You try. -[tense music plays] 220 00:11:55,354 --> 00:11:56,271 [matches clatter] 221 00:11:56,937 --> 00:11:57,854 [stick thuds] 222 00:11:58,479 --> 00:12:00,354 That is a penny off your wages. 223 00:12:01,479 --> 00:12:04,271 [Bessie] She's just learning the way, Mr. Crouch. 224 00:12:04,354 --> 00:12:07,187 [Crouch] She better learn quicker, or it's a penny off yours too. 225 00:12:08,104 --> 00:12:09,854 Anyone else want a money dock? 226 00:12:10,604 --> 00:12:11,854 How about you, eh? 227 00:12:12,479 --> 00:12:14,104 No, didn't think so. 228 00:12:17,312 --> 00:12:18,479 Right, back to work. 229 00:12:25,229 --> 00:12:27,062 I need to get up into that office. 230 00:12:27,562 --> 00:12:28,979 [chuckles] Not a hope. 231 00:12:31,271 --> 00:12:33,104 [exciting music plays] 232 00:12:42,562 --> 00:12:43,896 [Crouch] No talking. 233 00:12:45,729 --> 00:12:48,104 [Eudoria] All it takes is one small thing 234 00:12:48,187 --> 00:12:50,604 to change the rules of the world. 235 00:12:50,687 --> 00:12:52,604 [exciting music continues] 236 00:13:10,937 --> 00:13:13,312 Oi. Faster fingers, faster fingers. 237 00:13:14,812 --> 00:13:16,187 [metal clangs] 238 00:13:18,021 --> 00:13:18,896 Hurrah! 239 00:13:19,646 --> 00:13:21,271 How did that bloody happen, eh? 240 00:13:22,687 --> 00:13:23,771 Well, pick 'em up. 241 00:13:24,562 --> 00:13:25,562 Oi, pick 'em up. 242 00:13:26,187 --> 00:13:27,437 Pick 'em up, pick 'em up. 243 00:13:27,521 --> 00:13:29,229 [exciting music plays] 244 00:13:31,896 --> 00:13:33,937 [Crouch] Right! Back to work. 245 00:13:37,104 --> 00:13:37,937 [music fades] 246 00:13:38,854 --> 00:13:40,104 Why were you here? 247 00:13:40,187 --> 00:13:42,062 [intriguing music plays] 248 00:13:44,146 --> 00:13:45,354 [Crouch] Come on, girls. 249 00:13:47,771 --> 00:13:48,979 [Enola] Red. 250 00:13:49,062 --> 00:13:50,354 [Crouch] Time's a-wasting. 251 00:13:51,854 --> 00:13:53,354 Don't you look at me like that, girl. 252 00:13:56,021 --> 00:13:58,146 [intriguing music continues] 253 00:14:00,479 --> 00:14:01,562 [Enola sighs] 254 00:14:05,521 --> 00:14:07,979 -[workers speaking indistinctly] -[Crouch] Oi, stop talking! 255 00:14:08,062 --> 00:14:09,729 [intriguing music continues] 256 00:14:15,396 --> 00:14:18,021 -[Enola gasps] -Green eyes, red hair. 257 00:14:22,854 --> 00:14:24,729 [Enola] So you did steal something. 258 00:14:25,271 --> 00:14:30,062 [man] Charles! This is not what I was expecting when we made our arrangement. 259 00:14:30,146 --> 00:14:31,896 This is blatant extortion. 260 00:14:31,979 --> 00:14:32,937 Criminal! 261 00:14:33,771 --> 00:14:36,271 -My pockets are empty. -You think mine full? 262 00:14:36,354 --> 00:14:39,479 You gave me your word you'd find whoever was doing this to us. 263 00:14:40,146 --> 00:14:42,562 You sound almost threatening, Mr. Lyon. 264 00:14:42,646 --> 00:14:45,812 This is not what I expected when we began our arrangement. 265 00:14:47,062 --> 00:14:49,146 And now theft, on top of everything else. 266 00:14:49,229 --> 00:14:52,729 -You heard the man. Get this dealt with. -[Mr. Lyon] Come along, William. 267 00:14:56,937 --> 00:15:00,396 [woman] Sir, do you have any suspicions as to who this perpetrator might be? 268 00:15:00,479 --> 00:15:02,562 [Charles] Would I be asking you if I did? 269 00:15:05,562 --> 00:15:09,771 But, sir, perhaps if we were to consider whether this theft is connected. 270 00:15:09,854 --> 00:15:12,437 -I have ideas-- -Did I ask for your advice? 271 00:15:13,104 --> 00:15:15,146 Or did I simply tell you to get it done? 272 00:15:15,979 --> 00:15:18,021 I'll make sure the right people know, sir. 273 00:15:24,354 --> 00:15:25,354 [Charles] Miss Troy! 274 00:15:25,854 --> 00:15:26,896 [Miss Troy] Yes, sir. 275 00:15:28,021 --> 00:15:31,521 Our ladies are working at the highest level of production and efficiency. 276 00:15:31,604 --> 00:15:33,229 -Are they not, William? -Yes, Father. 277 00:15:34,896 --> 00:15:37,687 -[Mr. Lyon] Please, if you will… -[foreboding music plays] 278 00:15:37,771 --> 00:15:41,354 Doris, how are you? How's your sister? Is she, um, still unwell? 279 00:15:41,437 --> 00:15:43,021 Uh, yes, Mr. Lyon. 280 00:15:43,729 --> 00:15:44,646 Typhus. 281 00:15:46,021 --> 00:15:47,771 Really is the plague of our time. 282 00:15:48,646 --> 00:15:51,354 Two years it's been killing these girls. 283 00:15:51,437 --> 00:15:52,479 Breaks my heart. 284 00:15:53,646 --> 00:15:59,271 Well, Lord McIntyre, if I might suggest a little lunch. I think we've earned it. 285 00:16:03,646 --> 00:16:06,521 [Enola] How did Sarah do it? Get into the office? 286 00:16:06,604 --> 00:16:10,312 There was a fire at one of the stations. Foreman got distracted. 287 00:16:12,729 --> 00:16:13,604 Whose station? 288 00:16:14,396 --> 00:16:15,271 Mae's? 289 00:16:15,771 --> 00:16:16,812 Yes. 290 00:16:18,062 --> 00:16:20,354 You're a good detective, Enola Holmes. 291 00:16:29,854 --> 00:16:32,812 [Enola] Everyone thinks detecting is a profession littered with rules, 292 00:16:32,896 --> 00:16:35,146 but in truth, there's only one. 293 00:16:35,229 --> 00:16:38,937 Pull on every loose thread you find. 294 00:16:41,604 --> 00:16:42,979 [Enola] She's a loose thread. 295 00:16:43,896 --> 00:16:46,271 [suspenseful music plays] 296 00:16:48,146 --> 00:16:49,604 So I'm pulling at her. 297 00:16:53,479 --> 00:16:54,979 -[man] Oh. -[Enola] Hello, sir. 298 00:16:55,771 --> 00:16:58,854 -What a pleasant evening. -Young lady, I'm afraid I'm married. 299 00:17:02,271 --> 00:17:03,271 [gasps] 300 00:17:05,646 --> 00:17:06,979 [suspenseful music fades] 301 00:17:08,812 --> 00:17:10,812 [jaunty music plays] 302 00:17:12,771 --> 00:17:14,771 [laughter and chatter] 303 00:17:18,854 --> 00:17:21,729 Hello, dearie. Forgot your ticket? 304 00:17:21,812 --> 00:17:25,271 That's tuppence for a sweet, cheating face like yours. 305 00:17:25,854 --> 00:17:26,937 [woman] Ha'penny a piece. 306 00:17:28,187 --> 00:17:30,396 -Genuine toffee. -[man] Out of my way, girl. 307 00:17:30,479 --> 00:17:31,812 [woman] Ha'penny a piece. 308 00:17:31,896 --> 00:17:33,354 [Enola] Where are you, Mae? 309 00:17:33,437 --> 00:17:35,104 [jaunty music continues] 310 00:17:35,187 --> 00:17:36,271 [man] Excuse me, sir. 311 00:17:37,687 --> 00:17:39,979 [woman] I've never seen anything like it! 312 00:17:42,271 --> 00:17:43,187 [jaunty song ends] 313 00:17:43,271 --> 00:17:44,729 [crowd cheering and applauding] 314 00:17:44,812 --> 00:17:47,604 [announcer] And here she comes! 315 00:17:47,687 --> 00:17:49,771 [crowd gasps] 316 00:17:51,479 --> 00:17:52,479 [Enola yelps] 317 00:17:54,396 --> 00:17:57,271 -[fanfare plays] -[audience cheering and applauding] 318 00:17:58,521 --> 00:18:00,896 [conductor] One, two, a-one, two, three four. 319 00:18:00,979 --> 00:18:02,979 [jaunty music plays] 320 00:18:04,521 --> 00:18:07,937 ♪ Where did you get that hat? Where did you get that tile? ♪ 321 00:18:08,521 --> 00:18:11,521 ♪ Isn't it a nobby one And just the proper style? ♪ 322 00:18:12,271 --> 00:18:15,896 ♪ I should like to have one Just the same as that ♪ 323 00:18:15,979 --> 00:18:19,521 ♪ Where'er I go, they shout "Hello, where did you get that hat?" ♪ 324 00:18:19,604 --> 00:18:23,521 ♪ Where'er I go, they shout "Hello, where did you get that hat?" ♪ 325 00:18:24,146 --> 00:18:27,896 ♪ Where did you get that hat? Where did you get that tile? ♪ 326 00:18:27,979 --> 00:18:31,521 ♪ Isn't it a nobby one And just the proper style? ♪ 327 00:18:31,604 --> 00:18:35,146 ♪ I should like to have one Just the same as that ♪ 328 00:18:35,729 --> 00:18:41,854 ♪ Where'er I go, they shout "Hello, where did you get that hat?" ♪ 329 00:18:43,187 --> 00:18:44,062 [music stops] 330 00:18:44,146 --> 00:18:45,354 [applause] 331 00:18:46,229 --> 00:18:49,479 [announcer] And now, all the way from Shanghai, 332 00:18:49,562 --> 00:18:53,437 Mr. Li and his world of illusions! 333 00:18:56,187 --> 00:18:57,521 [Mr. Li] My next trick… 334 00:18:57,604 --> 00:18:59,604 [patrons chattering indistinctly] 335 00:19:00,479 --> 00:19:01,562 [Enola sighs] 336 00:19:02,854 --> 00:19:04,937 You the foozler who took my pan stick? 337 00:19:05,896 --> 00:19:09,229 Um, no. I'm looking for a girl called M-- 338 00:19:09,312 --> 00:19:10,146 Uh… 339 00:19:11,104 --> 00:19:11,979 Hm. 340 00:19:16,271 --> 00:19:18,687 [suspenseful music plays] 341 00:19:22,312 --> 00:19:23,896 She worked two jobs, you see. 342 00:19:24,896 --> 00:19:26,896 Some place called The Stag Antlers. 343 00:19:29,146 --> 00:19:32,604 [chorus] ♪ Where'er I go, they shout "Hello, where did you get that hat?" ♪ 344 00:19:37,729 --> 00:19:38,937 [gasps] 345 00:19:39,021 --> 00:19:41,104 You got five seconds to tell me why you're here. 346 00:19:41,187 --> 00:19:43,687 [panting] Did Sarah work here? 347 00:19:44,729 --> 00:19:47,271 She did, didn't she? And Bessie doesn't know. 348 00:19:47,771 --> 00:19:50,729 There's plenty Bessie don't know. And plenty you don't need to tell her. 349 00:19:50,812 --> 00:19:54,646 I know you helped her into that office. She took those pages. Why? 350 00:19:55,771 --> 00:19:58,437 -What's happened to her? -Just leave us be, all right? 351 00:19:59,062 --> 00:20:01,104 Posh girls like you don't belong in this fight. 352 00:20:01,604 --> 00:20:03,562 [audience cheers and applauds] 353 00:20:04,479 --> 00:20:06,937 Posh or not, one thing I am good at is fighting. 354 00:20:07,021 --> 00:20:09,479 Now tell me, where is she hiding and what does she know? 355 00:20:10,354 --> 00:20:11,896 You got more to you than I thought. 356 00:20:12,521 --> 00:20:17,604 [clears throat] Whatever this is, Mae is on stage in 30 ticks, 357 00:20:17,687 --> 00:20:19,437 and she's still dressed as a gent. 358 00:20:20,354 --> 00:20:22,729 So let go of her, now. 359 00:20:25,896 --> 00:20:28,062 -Get her out of here. -[man] Be my pleasure. 360 00:20:30,229 --> 00:20:32,729 [chuckles] Come on. 361 00:20:35,021 --> 00:20:36,937 Where did Sarah Chapman do her makeup? 362 00:20:41,146 --> 00:20:44,021 [man] Full of secrets that one, and not a bad actress. 363 00:20:44,104 --> 00:20:46,312 I'd have given her the boot if she weren't so good, 364 00:20:46,396 --> 00:20:48,646 but she did attract the men with big pockets. 365 00:20:48,729 --> 00:20:50,271 Always useful that. Shift it. 366 00:20:52,229 --> 00:20:53,062 Which men? 367 00:20:54,437 --> 00:20:55,271 [sighs] 368 00:20:57,562 --> 00:21:01,104 There was this one gent, society type, and he came regular. 369 00:21:01,187 --> 00:21:06,521 Very keen on him she was. He'd send flowers, letters. 370 00:21:07,396 --> 00:21:09,354 [intriguing music plays] 371 00:21:12,104 --> 00:21:12,937 His name? 372 00:21:16,354 --> 00:21:17,604 Never gave one. 373 00:21:18,604 --> 00:21:22,562 [chuckles] You see, they all think there's hope. That love is coming their way. 374 00:21:23,604 --> 00:21:25,021 But it never is. 375 00:21:25,104 --> 00:21:27,271 Blokes like that, they want cheap, 376 00:21:27,771 --> 00:21:29,396 but they marry dear. 377 00:21:33,479 --> 00:21:35,521 "As we two ate of the fruit of love…" 378 00:21:35,604 --> 00:21:38,104 The fruit of love? Ugh. 379 00:21:38,187 --> 00:21:40,687 "A bell did ring in the sky above" 380 00:21:40,771 --> 00:21:43,771 "So wander that place With its blossoms white" 381 00:21:43,854 --> 00:21:45,854 "A chapel awaits us out of sight" 382 00:21:47,812 --> 00:21:48,812 And a poppy. 383 00:21:49,521 --> 00:21:50,479 Is that his name? 384 00:21:52,562 --> 00:21:53,979 Why did she leave? 385 00:21:54,062 --> 00:21:56,062 [intriguing music plays] 386 00:21:59,146 --> 00:22:00,854 Did she run away with this fellow? 387 00:22:04,146 --> 00:22:05,896 Or is she running from him? 388 00:22:07,646 --> 00:22:10,937 I hope it's the latter. His poetry is extremely bad. 389 00:22:11,021 --> 00:22:13,021 [foreboding music plays] 390 00:22:16,021 --> 00:22:19,229 [walking stick clangs] 391 00:22:26,437 --> 00:22:30,021 [walking stick continues to clang] 392 00:22:35,521 --> 00:22:37,771 [foreboding music crescendos] 393 00:22:39,562 --> 00:22:41,562 [panting] 394 00:22:43,437 --> 00:22:47,104 [suspenseful music playing] 395 00:22:58,521 --> 00:22:59,396 [man grunts] 396 00:23:00,979 --> 00:23:02,562 Be away with you, boy. 397 00:23:03,104 --> 00:23:03,937 [man] All right. 398 00:23:04,604 --> 00:23:06,604 [man grunts] 399 00:23:08,229 --> 00:23:10,271 -Sherlock? -Enola. 400 00:23:11,271 --> 00:23:13,646 What are you doing here? It's not safe. 401 00:23:13,729 --> 00:23:15,354 There are scary people about. 402 00:23:16,562 --> 00:23:19,104 -Yes, let me know when you meet one. -[Sherlock sighs drunkenly] 403 00:23:19,812 --> 00:23:22,229 -Brother, are you quite yourself? -I'm fine. 404 00:23:22,312 --> 00:23:25,854 It was just a disagreement over a glass of wine 405 00:23:26,396 --> 00:23:27,604 and whose wine it was. 406 00:23:27,687 --> 00:23:28,562 And, uh… 407 00:23:30,562 --> 00:23:33,854 I find after wine, it's very difficult to make your arms and legs move. 408 00:23:33,937 --> 00:23:34,896 Let's get you home. 409 00:23:37,479 --> 00:23:40,021 I don't usually imbibe, but I'm on a case, you see. 410 00:23:40,104 --> 00:23:42,729 -It's proven rather tricky. -[Enola] Cab. 411 00:23:42,812 --> 00:23:44,229 -[Sherlock] Hello. -[Enola] Hello. 412 00:23:44,729 --> 00:23:47,187 -[Sherlock] Where are we going? -221 Baker Street. 413 00:23:48,271 --> 00:23:50,812 -[Enola grunts] -[humorous music playing lightly] 414 00:23:52,896 --> 00:23:56,437 [Enola] As it turns out, my brother is medievally heavy. 415 00:23:56,521 --> 00:24:01,271 It's like carrying a dead horse on which sits another dead horse. 416 00:24:03,521 --> 00:24:04,937 That's A, and I'm B. 417 00:24:05,021 --> 00:24:07,146 [humorous music continues] 418 00:24:09,271 --> 00:24:10,937 I didn't know you had steps. 419 00:24:11,021 --> 00:24:14,521 One should always have steps to avoid people stepping on you. 420 00:24:14,604 --> 00:24:17,729 That's a tip. You should probably write that down. 421 00:24:17,812 --> 00:24:20,562 [sighs] All right. Lift your right leg. 422 00:24:21,354 --> 00:24:22,187 [Sherlock] Mm-hmm. 423 00:24:23,896 --> 00:24:24,729 Now your left. 424 00:24:26,062 --> 00:24:28,854 Better leg, the left. You should write that down. 425 00:24:29,437 --> 00:24:30,771 [Enola sighs and strains] 426 00:24:31,354 --> 00:24:32,729 [Enola] Here we go. [sighs] 427 00:24:34,062 --> 00:24:36,896 [Sherlock] Ha! Home. Well done, Sherlock. 428 00:24:38,146 --> 00:24:39,062 [glass shatters] 429 00:24:39,146 --> 00:24:40,146 I can do it. 430 00:24:43,687 --> 00:24:44,521 See? 431 00:24:50,562 --> 00:24:51,437 Baker Street. 432 00:24:52,146 --> 00:24:52,979 [exhales] 433 00:24:57,021 --> 00:24:58,396 [humorous music fades] 434 00:24:58,479 --> 00:25:02,562 -Oh, but it's such a mess. -It's perfect. Don't touch anything. 435 00:25:02,646 --> 00:25:04,479 [Enola] What are you investigating? 436 00:25:04,562 --> 00:25:06,896 [Sherlock] None of your business. I work alone. It's private. 437 00:25:07,812 --> 00:25:09,312 Now shh, I'm thinking. 438 00:25:09,812 --> 00:25:11,896 One should never be interrupted when thinking. 439 00:25:13,062 --> 00:25:15,146 -Oh. You should-- -Write that down? 440 00:25:17,479 --> 00:25:19,062 -[clanging] -Shh! 441 00:25:21,021 --> 00:25:22,187 Don't go in there. 442 00:25:23,271 --> 00:25:24,354 No. 443 00:25:27,229 --> 00:25:29,229 [intriguing music plays] 444 00:25:31,437 --> 00:25:32,562 [floor creaks loudly] 445 00:25:38,396 --> 00:25:40,021 [Enola] Sherlock's latest case. 446 00:25:40,104 --> 00:25:41,604 [intriguing music continues] 447 00:25:48,354 --> 00:25:49,479 Fascinating. 448 00:25:49,979 --> 00:25:51,521 [intriguing music fades] 449 00:25:52,312 --> 00:25:56,021 And why, pray, have you moved everything? 450 00:26:00,562 --> 00:26:03,854 -Nothing looks different to me. -Nothing looks different? Ev-- 451 00:26:03,937 --> 00:26:04,937 [sighs] 452 00:26:05,021 --> 00:26:07,146 Your head is sore? I can't think why. 453 00:26:07,229 --> 00:26:09,937 [Sherlock] This is why I don't have people in my rooms. 454 00:26:10,729 --> 00:26:14,271 Look what you've done. My papers are entirely out of order. 455 00:26:15,521 --> 00:26:17,604 Your case, it's vexing you. 456 00:26:18,562 --> 00:26:21,729 Seems to be an awful lot of question marks on that map of yours. 457 00:26:21,812 --> 00:26:23,729 Dundee cake. Door. 458 00:26:23,812 --> 00:26:26,146 -I will see you again. -Is that why you're drinking? 459 00:26:26,229 --> 00:26:29,062 I'm more than certain… [sniffs] …it's not so old. 460 00:26:29,146 --> 00:26:31,437 -Maybe I can help. -You can help by leaving. 461 00:26:32,812 --> 00:26:35,979 Huh. Yes. The world will be a much safer place 462 00:26:36,062 --> 00:26:39,229 if we don't see the inside of Sherlock Holmes, only the out. 463 00:26:41,229 --> 00:26:42,104 Crazy idea. 464 00:26:43,146 --> 00:26:45,229 Have you ever considered a flatmate? 465 00:26:45,312 --> 00:26:48,062 -For what purpose? -To stop you descending into this. 466 00:26:52,396 --> 00:26:53,271 Strange 467 00:26:54,104 --> 00:26:58,271 how those seeking advice so often like to dispense it. 468 00:26:58,354 --> 00:27:01,062 Did I ask for advice? I found you on the street, drunk. 469 00:27:01,146 --> 00:27:04,354 -Now what may I observe about you? -We're not playing this game. 470 00:27:04,437 --> 00:27:05,937 Shoes a state. Hair's not much better. 471 00:27:06,021 --> 00:27:09,021 -You and Mycroft are so similar. -You need to wash your clothes. 472 00:27:09,146 --> 00:27:11,229 -Unwilling to look past-- -You are pale-- 473 00:27:11,312 --> 00:27:14,229 -Stop! -And then there's your fingernails. 474 00:27:14,854 --> 00:27:17,687 -Why are you working in a match factory? -What? 475 00:27:17,771 --> 00:27:21,437 Last night, they were dirty with green traces. This morning, they are black. 476 00:27:21,521 --> 00:27:24,062 The phosphorous from the match-making has mixed with oxygen. 477 00:27:24,146 --> 00:27:27,062 I wasn't in such a state as to not see that. 478 00:27:27,687 --> 00:27:29,604 -How did you-- -[Sherlock] And your neck is red. 479 00:27:29,687 --> 00:27:31,562 Someone has gripped it or held a knife against… 480 00:27:37,521 --> 00:27:39,104 Are you involved in something dangerous? 481 00:27:40,146 --> 00:27:41,271 You are still my ward. 482 00:27:41,354 --> 00:27:44,062 If you need my help, my offer remains on the table. 483 00:27:45,604 --> 00:27:48,146 Don't be so desperate to prove yourself, Enola. 484 00:27:48,229 --> 00:27:49,062 [scoffs] 485 00:27:49,687 --> 00:27:54,104 I am not desperate, and I don't need your or anyone's help. 486 00:27:59,521 --> 00:28:00,646 But this I will have. 487 00:28:01,229 --> 00:28:03,229 [jaunty music plays] 488 00:28:05,104 --> 00:28:06,812 -[door slams] -[Sherlock sighs] 489 00:28:08,271 --> 00:28:11,062 [Enola] How dare he? How dare he lecture me? 490 00:28:11,729 --> 00:28:13,437 When he can't even solve his own case 491 00:28:13,521 --> 00:28:16,687 and he lives in a bed of flummoxing papers and bewildering mold. 492 00:28:16,771 --> 00:28:19,396 How dare he claim I'm desperate? It is not true. 493 00:28:19,896 --> 00:28:21,771 -And this is not fair. -[Tewkesbury] Enola? 494 00:28:26,521 --> 00:28:27,521 It is you. 495 00:28:29,396 --> 00:28:30,229 And it is you. 496 00:28:32,062 --> 00:28:33,062 [Tewkesbury] How are you? 497 00:28:34,271 --> 00:28:36,354 Are you well? You look… 498 00:28:36,437 --> 00:28:40,729 I'm on a case. Undercover. Forget I told you that piece of information. 499 00:28:40,812 --> 00:28:44,646 It's the strangest thing. I could have sworn I've seen you here before. 500 00:28:46,187 --> 00:28:47,146 Is that right? 501 00:28:47,229 --> 00:28:50,271 Well, this is my… My route through to the Lords. 502 00:28:50,937 --> 00:28:53,479 Is it? [chuckles awkwardly] How lovely. 503 00:28:53,562 --> 00:28:56,104 Well, I… I breakfast here on occasion. 504 00:28:59,479 --> 00:29:03,771 I mean, yes, it's a lovely place. I-I know the gardener here. 505 00:29:04,646 --> 00:29:07,021 We've been discussing what to sow for next year's crop. 506 00:29:07,104 --> 00:29:08,437 Some fine sunflowers. 507 00:29:08,521 --> 00:29:11,396 Uh, Sweet Williams, for their lovely vivid reds. 508 00:29:11,479 --> 00:29:13,021 I've seen all you're doing. 509 00:29:14,187 --> 00:29:16,646 Oh. Well, it's… It's nothing. 510 00:29:16,729 --> 00:29:18,062 In the society pages. 511 00:29:21,812 --> 00:29:23,646 You are quite the eligible bachelor. 512 00:29:26,771 --> 00:29:28,146 Don't believe all you read. 513 00:29:33,229 --> 00:29:34,271 I wrote to you. 514 00:29:36,396 --> 00:29:37,271 You didn't reply. 515 00:29:37,896 --> 00:29:38,729 Uh… 516 00:29:39,687 --> 00:29:41,604 I… was busy. 517 00:29:42,104 --> 00:29:44,646 Starting my own business. A perpetual challenge. 518 00:29:45,146 --> 00:29:46,854 Perhaps, not something you'd understand. 519 00:29:47,646 --> 00:29:50,062 -Well, Enola, if you need help-- -I do not. 520 00:29:51,604 --> 00:29:54,604 Should my problem become horticultural, I shall seek you out. 521 00:29:56,187 --> 00:29:57,021 Right. 522 00:29:57,604 --> 00:30:00,271 Well, you know where to find me 523 00:30:02,187 --> 00:30:03,521 should a plant go missing. 524 00:30:04,062 --> 00:30:05,604 I hope you enjoy your breakfast. 525 00:30:09,937 --> 00:30:10,771 Yeah. 526 00:30:11,562 --> 00:30:12,437 [clears throat] 527 00:30:15,021 --> 00:30:16,521 [whispering] Is he looking back? 528 00:30:20,604 --> 00:30:22,479 [in normal voice] Oh. Good, he isn't. 529 00:30:24,771 --> 00:30:26,271 I don't come here every day. 530 00:30:27,187 --> 00:30:28,812 Just on days when I feel a need. 531 00:30:29,729 --> 00:30:33,854 And sometimes he doesn't take this path. Sometimes he takes the parallel one. 532 00:30:36,937 --> 00:30:41,146 -[sighs] -[echoing] You know where to find me. 533 00:30:41,812 --> 00:30:43,729 [intriguing music plays] 534 00:30:46,521 --> 00:30:48,521 "You know where to find me." 535 00:30:48,604 --> 00:30:50,146 "Out of sight" 536 00:30:50,229 --> 00:30:53,604 "The chapel awaits us With its blossoms white" 537 00:30:54,187 --> 00:30:55,062 Whitechapel. 538 00:30:55,937 --> 00:30:57,687 "As we two ate of the fruit of love" 539 00:30:57,771 --> 00:30:59,562 "As we two ate…" 540 00:31:00,271 --> 00:31:01,937 "Two ate." Two-eight. 541 00:31:02,021 --> 00:31:02,979 Twenty-eight. 542 00:31:03,771 --> 00:31:06,479 "A bell did ring in the sky above" 543 00:31:06,562 --> 00:31:07,646 Bell? 544 00:31:07,729 --> 00:31:08,896 "So wander that place" 545 00:31:10,104 --> 00:31:12,187 Bell. Place. "Out of sight" 546 00:31:12,271 --> 00:31:13,146 [gasps] 547 00:31:14,104 --> 00:31:17,104 28 Bell Place, Whitechapel! [squeals] 548 00:31:17,187 --> 00:31:18,354 [woman] Shh! 549 00:31:18,437 --> 00:31:20,062 -Oh, sorry. -[baby cries] 550 00:31:20,146 --> 00:31:22,146 [exciting music plays] 551 00:31:22,771 --> 00:31:24,729 The game has found its feet again. 552 00:31:25,729 --> 00:31:26,646 [squeals] 553 00:31:28,896 --> 00:31:30,146 I will not lie. 554 00:31:30,229 --> 00:31:33,062 There is a certain satisfaction that you feel as a detective 555 00:31:33,146 --> 00:31:35,771 when your case comes closer to resolution. 556 00:31:35,854 --> 00:31:36,979 Like sewing a new skirt… 557 00:31:37,062 --> 00:31:39,479 [exciting music continues] 558 00:31:39,562 --> 00:31:42,437 …which I don't do, or teaching a dog to sit. 559 00:31:42,521 --> 00:31:43,354 [barking] 560 00:31:43,437 --> 00:31:46,521 You begin to glow with the acknowledgement of a job well done. 561 00:31:46,604 --> 00:31:48,521 [boy] There's a new Holmes in town. 562 00:31:48,604 --> 00:31:51,521 That's right. Sherlock Holmes has met his match. 563 00:31:52,187 --> 00:31:55,562 My name will be known, and Bessie will have a sister once again. 564 00:31:56,562 --> 00:31:58,104 And that is a job well… 565 00:32:00,812 --> 00:32:01,646 done. 566 00:32:07,271 --> 00:32:09,271 [uneasy music playing] 567 00:32:26,229 --> 00:32:27,312 Sarah? 568 00:32:27,396 --> 00:32:29,396 [uneasy music continues] 569 00:32:31,271 --> 00:32:33,187 [insects buzz] 570 00:32:42,979 --> 00:32:44,562 [Enola] What happened here? 571 00:32:44,646 --> 00:32:46,646 [uneasy music continues] 572 00:32:54,979 --> 00:32:56,354 Mr. Poppy. 573 00:32:57,437 --> 00:32:59,729 [gasping breaths] 574 00:33:02,604 --> 00:33:04,229 [uneasy music crescendos] 575 00:33:04,896 --> 00:33:06,896 [tense music plays] 576 00:33:06,979 --> 00:33:08,937 -[Mae gasps] -[gasps] Oh, Mae. 577 00:33:11,562 --> 00:33:13,812 What happened? Who did this to you? 578 00:33:13,896 --> 00:33:17,771 -Was it him, Sarah's man? Mae! -[tense music continues] 579 00:33:18,521 --> 00:33:19,729 No, no. It's all right. 580 00:33:20,396 --> 00:33:22,521 I'll fetch a doctor for you. 581 00:33:23,937 --> 00:33:25,562 No! No, no, no. 582 00:33:26,146 --> 00:33:26,979 No. 583 00:33:27,646 --> 00:33:28,479 Come back. 584 00:33:28,562 --> 00:33:30,271 [somber music plays] 585 00:33:32,646 --> 00:33:33,479 [Enola shudders] 586 00:33:35,271 --> 00:33:37,854 [shuddering breaths] 587 00:33:48,771 --> 00:33:50,437 [ominous music plays] 588 00:33:59,479 --> 00:34:00,562 [door creaks] 589 00:34:05,146 --> 00:34:05,979 Miss Holmes? 590 00:34:07,021 --> 00:34:09,771 -[Enola] Inspector Lestrade. -[Lestrade sighs] 591 00:34:09,854 --> 00:34:11,687 -Enola Holmes. -[Enola] Lestrade. 592 00:34:11,771 --> 00:34:13,437 -She… She's-- -Dead. 593 00:34:14,979 --> 00:34:15,896 How'd that happen? 594 00:34:20,604 --> 00:34:24,354 Oh, no, no, no. I'm investigating a case. A disappearance of a girl. 595 00:34:24,437 --> 00:34:27,479 -What, that girl? -No. No, no, no. H-Her name is Mae. 596 00:34:28,021 --> 00:34:31,021 She worked at the Paragon Theater, the matchstick factory. 597 00:34:31,104 --> 00:34:34,479 -She was a dancer. She's friends-- -[clanging] 598 00:34:35,604 --> 00:34:39,229 -[walking stick clangs] -[Lestrade clears his throat] 599 00:34:40,687 --> 00:34:41,562 [exhales] 600 00:34:42,437 --> 00:34:45,812 [clanging continues] 601 00:34:48,812 --> 00:34:50,062 [Lestrade] Superintendent Grail. 602 00:34:55,562 --> 00:34:57,979 -Good morning. -[Lestrade] Good morning, sir. 603 00:34:58,062 --> 00:35:00,562 I was sent to investigate a possible disturbance. 604 00:35:00,646 --> 00:35:03,812 Someone heard some screams, and then I discovered this young lady. 605 00:35:03,896 --> 00:35:04,937 Her name? 606 00:35:05,021 --> 00:35:06,312 Enola Holmes. 607 00:35:07,854 --> 00:35:08,979 Uh, his sister. 608 00:35:09,687 --> 00:35:10,729 A detective too. 609 00:35:10,812 --> 00:35:13,896 [sighs] Good God, another one. 610 00:35:13,979 --> 00:35:15,937 Shouldn't you be in finishing school? 611 00:35:16,729 --> 00:35:19,521 Investigating the disappearance of a… 612 00:35:19,604 --> 00:35:20,854 -Sarah Chapman. -Yeah. 613 00:35:20,937 --> 00:35:24,479 Sarah Chapman? Well, well, how intriguing. So am I. 614 00:35:24,562 --> 00:35:27,646 -She's wanted for theft and blackmail. -Blackmail? 615 00:35:27,729 --> 00:35:29,396 Yes, detective. 616 00:35:31,604 --> 00:35:33,979 Still warm. No rigor mortis. 617 00:35:34,604 --> 00:35:37,687 -When were the screams heard, inspector? -Ten past the hour, sir. 618 00:35:38,271 --> 00:35:40,646 When did you arrive, detective? 619 00:35:41,187 --> 00:35:42,354 A-Around the same time. 620 00:35:43,312 --> 00:35:45,562 [foreboding music plays] 621 00:35:45,646 --> 00:35:46,896 [Grail] Even more intriguing. 622 00:35:46,979 --> 00:35:51,354 Uh, no, I was trying to suppress the blood. I-I was trying to save her. 623 00:35:51,437 --> 00:35:53,687 Or trying to get information out of her. 624 00:35:55,396 --> 00:35:56,896 Give her a search, inspector. 625 00:35:56,979 --> 00:35:59,687 Oh, I couldn't. I can't pat her down, sir. 626 00:36:00,229 --> 00:36:03,646 Come along, Lestrade. Let's not be coy about this. 627 00:36:03,729 --> 00:36:06,771 -She's a detective. She knows the rules. -[Lestrade] Yes. 628 00:36:06,854 --> 00:36:08,854 [tense music plays] 629 00:36:09,396 --> 00:36:11,146 [sighs] Um… 630 00:36:11,229 --> 00:36:12,437 Give me that bag! 631 00:36:21,687 --> 00:36:22,521 What's this? 632 00:36:23,771 --> 00:36:24,771 My evidence. 633 00:36:26,312 --> 00:36:27,229 And that? 634 00:36:27,312 --> 00:36:29,312 [tense music plays] 635 00:36:30,062 --> 00:36:31,229 It's nothing. 636 00:36:31,312 --> 00:36:32,771 Then why are you hiding it? 637 00:36:33,771 --> 00:36:37,062 Found at a murder scene with a freshly dead corpse, 638 00:36:37,146 --> 00:36:39,604 harboring evidence isn't gonna look good. 639 00:36:39,687 --> 00:36:41,896 Superintendent Grail, you can't believe-- 640 00:36:41,979 --> 00:36:44,354 What can't I believe, missy? 641 00:36:44,896 --> 00:36:47,646 That young ladies don't have the hands for killing? 642 00:36:47,729 --> 00:36:48,771 Now, give them here. 643 00:36:50,771 --> 00:36:51,646 [sighs] 644 00:36:54,146 --> 00:36:55,562 -[Grail grunts] -[Lestrade] Oh! 645 00:36:55,646 --> 00:36:57,896 [Grail groans] 646 00:36:57,979 --> 00:36:58,937 [Enola grunts] 647 00:37:00,771 --> 00:37:02,104 [exciting music plays] 648 00:37:05,937 --> 00:37:08,146 -Go on! -[Grail] After her, all of ya! 649 00:37:09,771 --> 00:37:11,396 Why ever would she ever do that? 650 00:37:11,896 --> 00:37:14,729 -[policeman] Get out of the way! Move! -[woman shrieks] 651 00:37:14,812 --> 00:37:16,729 -[policeman] Stop that girl! -[horse whinnies] 652 00:37:19,437 --> 00:37:20,646 You've seen this before. 653 00:37:25,062 --> 00:37:28,437 Ah. Lestrade of Scotland Yard. You remember me, I hope. 654 00:37:32,896 --> 00:37:35,979 We're looking for your sister. She's caused a bit of trouble. 655 00:37:37,104 --> 00:37:39,854 [exciting music plays] 656 00:37:39,937 --> 00:37:41,104 [Enola grunts] 657 00:37:43,021 --> 00:37:45,396 -[Enola grunts] -[policeman groans] 658 00:37:45,479 --> 00:37:46,437 May I? 659 00:37:52,979 --> 00:37:54,187 [gasps and sighs] 660 00:37:56,271 --> 00:37:57,104 Is it, sir? 661 00:37:58,729 --> 00:37:59,896 Is it? 662 00:37:59,979 --> 00:38:02,146 Take it. I have others. 663 00:38:02,229 --> 00:38:03,979 Take it? I can't. [chuckles] 664 00:38:04,062 --> 00:38:05,104 I can. 665 00:38:05,187 --> 00:38:06,021 I can't. 666 00:38:07,771 --> 00:38:09,021 Perhaps I can. 667 00:38:09,104 --> 00:38:11,104 [exciting music plays] 668 00:38:13,312 --> 00:38:14,396 [policeman yells] 669 00:38:14,479 --> 00:38:15,479 [policeman groans] 670 00:38:15,562 --> 00:38:17,771 And this, the famous fiddle? 671 00:38:19,396 --> 00:38:21,312 That I do not have two of. 672 00:38:22,479 --> 00:38:25,437 Perhaps you can explain what you believe Enola has done. 673 00:38:25,521 --> 00:38:27,437 I wish I was at liberty to say, sir. 674 00:38:28,271 --> 00:38:29,104 Do you mind? 675 00:38:29,187 --> 00:38:31,271 [exciting music plays] 676 00:38:32,271 --> 00:38:33,604 [strains] 677 00:38:38,979 --> 00:38:40,104 [exciting music fades] 678 00:38:41,062 --> 00:38:43,062 Oh, your latest case. 679 00:38:43,562 --> 00:38:45,062 What's it concerning? 680 00:38:45,771 --> 00:38:47,729 Is it another Brixton Strangler? 681 00:38:48,479 --> 00:38:49,396 Or a Periwinkle? 682 00:38:50,812 --> 00:38:52,479 Don't tell me it's a Clerkenwell. 683 00:38:52,562 --> 00:38:54,437 What evidence do they have against my sister? 684 00:38:55,021 --> 00:38:58,187 Perhaps, uh, you tell me yours and I'll tell you mine. 685 00:39:01,062 --> 00:39:02,771 Government case, some missing money. 686 00:39:04,146 --> 00:39:04,979 Now you. 687 00:39:05,771 --> 00:39:07,437 [Lestrade] Super wants to talk her. 688 00:39:08,229 --> 00:39:10,521 -[Sherlock] Why? -Just following orders, Mr. Holmes. 689 00:39:10,604 --> 00:39:12,187 Or may I call you Sherlock? 690 00:39:14,437 --> 00:39:17,021 Graydon. Graydon Lestrade. 691 00:39:17,104 --> 00:39:20,812 My father thought it distinguished, and it is rather. 692 00:39:21,687 --> 00:39:22,521 [Enola grunts] 693 00:39:22,604 --> 00:39:24,021 [tense music plays] 694 00:39:24,104 --> 00:39:25,354 [Enola panting] 695 00:39:25,437 --> 00:39:28,729 [Lestrade] Well, anyway, should you ever wish to call me that… 696 00:39:30,229 --> 00:39:31,062 Right. 697 00:39:31,146 --> 00:39:34,021 [Enola breathes heavily] 698 00:39:34,104 --> 00:39:34,979 As you were. 699 00:39:35,521 --> 00:39:37,062 [tense music continues] 700 00:39:39,312 --> 00:39:40,729 [tense music swells] 701 00:39:45,854 --> 00:39:47,062 Oh dear. 702 00:39:47,146 --> 00:39:48,354 [tense music crescendos] 703 00:39:49,104 --> 00:39:50,896 Whoa! [groans] 704 00:39:51,687 --> 00:39:54,354 My mistake. I should have warned you I was opening it. 705 00:39:57,437 --> 00:39:58,271 No. 706 00:39:59,271 --> 00:40:00,396 [sighs and sniffs] 707 00:40:00,479 --> 00:40:02,562 [jaunty music plays] 708 00:40:04,021 --> 00:40:04,937 Dare I ask? 709 00:40:08,562 --> 00:40:10,312 [gasps] 710 00:40:10,396 --> 00:40:11,687 [jaunty music fades] 711 00:40:11,771 --> 00:40:12,896 Good afternoon. 712 00:40:13,396 --> 00:40:15,229 May I ask a favor? 713 00:40:15,312 --> 00:40:17,187 [jaunty music plays] 714 00:40:20,646 --> 00:40:23,354 Never mind. Tell me everything. 715 00:40:24,187 --> 00:40:25,729 -A government case? -No. 716 00:40:26,937 --> 00:40:28,937 [Lestrade] Is it another Brixton Strangler? 717 00:40:29,854 --> 00:40:32,146 Or… Or a Periwinkle? 718 00:40:32,729 --> 00:40:34,896 "You tell me yours and I'll tell you mine." 719 00:40:36,062 --> 00:40:38,521 He's a ninny. I needed to know what he had on you. 720 00:40:43,062 --> 00:40:46,104 Money. Unaccounted transfers going in and out of government offices. 721 00:40:46,854 --> 00:40:49,479 My theory is either bribery, extortion, or blackmail. 722 00:40:49,562 --> 00:40:50,896 And what have you found? 723 00:40:52,687 --> 00:40:54,771 Separate filings from five different accounts 724 00:40:54,854 --> 00:40:58,062 going via the Treasury into one private bank. 725 00:40:58,146 --> 00:41:00,812 -So someone is getting rich from this? -Yes. 726 00:41:00,896 --> 00:41:02,187 [intriguing music plays] 727 00:41:02,271 --> 00:41:04,062 -Who? -No name. 728 00:41:04,146 --> 00:41:05,562 Just a number. 729 00:41:05,646 --> 00:41:08,604 I visited the bank and inquired. The money disappeared, 730 00:41:08,687 --> 00:41:10,854 arriving at another bank, and then another, 731 00:41:10,937 --> 00:41:13,104 and another, and another, and another, and another. 732 00:41:13,187 --> 00:41:16,854 Every one of them hidden using different account numbers. 733 00:41:16,937 --> 00:41:18,104 Twenty-seven in total. 734 00:41:18,187 --> 00:41:21,604 -Well, what can you deduce from that? -Three things. 735 00:41:22,187 --> 00:41:25,937 Firstly, the man's a game player, perhaps a genius in mathematics, 736 00:41:26,021 --> 00:41:28,104 capable of covering his traces at every turn. 737 00:41:28,187 --> 00:41:30,562 Secondly, the sources are varied. 738 00:41:30,646 --> 00:41:33,979 Five banks, south of the river, but no clear link between them. 739 00:41:34,562 --> 00:41:35,896 All anonymous. 740 00:41:35,979 --> 00:41:39,146 All going into one pocket. 741 00:41:40,562 --> 00:41:41,562 And the third? 742 00:41:44,812 --> 00:41:45,896 He knows I'm onto him. 743 00:41:47,437 --> 00:41:48,271 What? How? 744 00:41:48,354 --> 00:41:51,854 Every time I pull a thread, it loosens, vanishes, 745 00:41:51,937 --> 00:41:54,646 reappears somewhere else. He's leading me a merry dance. 746 00:41:54,729 --> 00:41:55,562 It's… 747 00:41:57,979 --> 00:41:58,937 It's infuriating. 748 00:42:00,104 --> 00:42:02,104 So no leads whatsoever? 749 00:42:02,687 --> 00:42:04,437 One. A week before the first transfer, 750 00:42:04,521 --> 00:42:06,187 there was a break-in at the Treasury office 751 00:42:06,271 --> 00:42:07,729 by a man in a taper crown hat. 752 00:42:07,812 --> 00:42:08,937 [Enola] A taper crown hat. 753 00:42:09,604 --> 00:42:10,896 -What was taken? -A document. 754 00:42:10,979 --> 00:42:13,687 They won't talk about it. Sensitive information presumably. 755 00:42:14,187 --> 00:42:18,021 But how it connects to all of this has so far eluded me. 756 00:42:18,562 --> 00:42:21,021 Your turn. I hope the blood's not yours. 757 00:42:22,354 --> 00:42:24,521 I'm looking for a girl, Sarah Chapman. 758 00:42:24,604 --> 00:42:27,062 Her sister employed me. Bessie. 759 00:42:28,146 --> 00:42:31,479 She worked at Lyons match factory by day, and the music hall at night. 760 00:42:32,396 --> 00:42:33,271 She has a lover, 761 00:42:34,562 --> 00:42:36,312 whose flat I visited. 762 00:42:37,771 --> 00:42:39,062 He'd given her this. 763 00:42:42,479 --> 00:42:43,687 28 Bell Place? 764 00:42:45,104 --> 00:42:46,479 Whitechapel, yes. 765 00:42:46,562 --> 00:42:48,812 And there I found her friend, 766 00:42:50,104 --> 00:42:50,937 murdered. 767 00:42:55,229 --> 00:42:57,562 And who killed her? This poppy fellow? 768 00:43:01,687 --> 00:43:03,062 I suspect so. 769 00:43:03,146 --> 00:43:05,812 Perhaps he kidnapped Sarah and her friend discovered it. 770 00:43:06,312 --> 00:43:08,062 [scoffs] Love. 771 00:43:09,062 --> 00:43:10,271 What it does to people. 772 00:43:12,812 --> 00:43:14,354 -How was she killed? -A kitchen knife. 773 00:43:14,437 --> 00:43:15,896 -Did you touch this weapon? -No. 774 00:43:17,771 --> 00:43:18,854 Then why did you run? 775 00:43:18,937 --> 00:43:20,521 I found more evidence on her. 776 00:43:20,604 --> 00:43:22,437 This policeman wanted it. 777 00:43:22,521 --> 00:43:24,354 -He has this walk. -Grail. 778 00:43:26,146 --> 00:43:27,271 We have a history. 779 00:43:28,896 --> 00:43:30,396 [Enola] This was in her pocket. 780 00:43:33,687 --> 00:43:34,604 [Sherlock sighs] 781 00:43:41,979 --> 00:43:43,604 [slow fiddle music plays] 782 00:43:51,062 --> 00:43:52,271 It's as bad as the poem. 783 00:43:54,062 --> 00:43:55,646 -Leave it with me. -No. 784 00:43:56,146 --> 00:43:58,354 It's mine, and it's important. 785 00:43:59,687 --> 00:44:03,062 Grail said she had stolen something and that she was blackmailing them. 786 00:44:03,687 --> 00:44:06,937 -Though Sarah wouldn't do that. -You don't know this person. 787 00:44:08,104 --> 00:44:08,937 I feel I do. 788 00:44:09,937 --> 00:44:11,979 You came here running from the police. 789 00:44:12,062 --> 00:44:13,812 Someone is already dead, 790 00:44:13,896 --> 00:44:16,146 and you are now a suspect in a murder case. 791 00:44:16,229 --> 00:44:18,187 You've let your emotions get the better of you. 792 00:44:18,271 --> 00:44:21,604 Stay here. Don't leave. I will look into this. 793 00:44:21,687 --> 00:44:25,562 But Sarah Chapman is my responsibility. No one else cares for these girls. 794 00:44:26,146 --> 00:44:27,687 I promised her sister. 795 00:44:27,771 --> 00:44:29,562 The first mistake a detective makes 796 00:44:29,646 --> 00:44:33,271 is to make it about themselves and not the case. 797 00:44:40,312 --> 00:44:43,437 Enola, I know you're not a fan of unnecessary advice, 798 00:44:43,521 --> 00:44:44,896 but please… 799 00:44:47,021 --> 00:44:48,021 [sighs] 800 00:44:48,104 --> 00:44:49,146 …don't turn into me. 801 00:44:51,146 --> 00:44:51,979 [door closes] 802 00:44:53,896 --> 00:44:55,604 I should probably write that down. 803 00:44:56,937 --> 00:44:59,771 [girl] Matches, matches! Come buy your matches! 804 00:44:59,854 --> 00:45:01,104 Only a penny a box. 805 00:45:02,771 --> 00:45:05,396 Matches, matches! Only a penny a box. 806 00:45:05,479 --> 00:45:06,937 Come buy your matches! 807 00:45:07,021 --> 00:45:09,062 [Mae] Posh girls like you don't belong in this fight. 808 00:45:09,146 --> 00:45:11,146 We don't need help from people like you. 809 00:45:13,229 --> 00:45:17,812 [man] See, they all think there's hope. That love is coming their way. 810 00:45:17,896 --> 00:45:19,146 But it never is. 811 00:45:20,312 --> 00:45:22,396 Gents like that, they want cheap, 812 00:45:22,479 --> 00:45:23,979 but they marry dear. 813 00:45:26,104 --> 00:45:26,937 [sighs] 814 00:45:27,021 --> 00:45:29,604 [Enola] So, Poppy, you're a gent, are you? 815 00:45:30,187 --> 00:45:33,354 And a well-heeled one to afford a love nest like that. 816 00:45:35,771 --> 00:45:37,521 -[policeman] Sir-- -Don't be ridiculous. 817 00:45:37,604 --> 00:45:39,604 [tense music plays] 818 00:46:05,771 --> 00:46:07,771 [tense music continues] 819 00:46:23,354 --> 00:46:26,312 [Sherlock] There was a break-in at the Treasury office 820 00:46:26,396 --> 00:46:27,896 by a man in a taper crown hat. 821 00:46:33,187 --> 00:46:36,646 Five banks, south of the river, but no clear link between them. 822 00:46:36,729 --> 00:46:38,479 [tense music continues] 823 00:46:42,021 --> 00:46:43,771 "Match makers ball." 824 00:46:44,604 --> 00:46:48,646 "Hosted by Henry and Hilda Lyon. 12 Marchmont Square." 825 00:46:50,271 --> 00:46:51,979 Does that date mean anything to you? 826 00:46:52,062 --> 00:46:53,562 [tense music continues] 827 00:46:54,271 --> 00:46:55,604 It's not a date at all. 828 00:46:57,979 --> 00:47:01,187 "Their eldest son, William Lyon, will be leading the first…" 829 00:47:02,146 --> 00:47:04,562 Sweet Williams, for their wonderfully vivid reds. 830 00:47:05,146 --> 00:47:08,396 Our ladies are working at the highest level of production and efficiency. 831 00:47:08,479 --> 00:47:10,271 -Are they not, William? -Yes, Father. 832 00:47:10,354 --> 00:47:13,854 And all along, I thought you were a poppy. 833 00:47:16,562 --> 00:47:19,687 Let's see how sweet you are, Sweet William. 834 00:47:19,771 --> 00:47:21,521 [tense music fades] 835 00:47:22,937 --> 00:47:23,937 I'm going to a ball. 836 00:47:24,771 --> 00:47:25,604 [chuckles] 837 00:47:26,979 --> 00:47:27,854 Ugh. 838 00:47:28,354 --> 00:47:30,354 [cheerful waltz plays] 839 00:47:38,771 --> 00:47:40,062 [woman blows raspberry] 840 00:47:40,146 --> 00:47:42,146 [cheerful waltz continues] 841 00:47:49,312 --> 00:47:50,146 'Tis I. 842 00:47:51,979 --> 00:47:53,271 'Tis not I. 843 00:47:54,104 --> 00:47:56,854 Which, when you're wanted by the police, is most useful. 844 00:47:57,479 --> 00:48:00,896 [man] Pray silence for his Lordship Viscount McIntyre. 845 00:48:00,979 --> 00:48:03,562 I-I'm sorry to break apart this glorious occasion, 846 00:48:03,646 --> 00:48:05,271 but, well, I'm a politician. 847 00:48:05,354 --> 00:48:08,312 Any chance to stand on a stage, I'll always take it. 848 00:48:08,396 --> 00:48:09,396 [laughter] 849 00:48:09,479 --> 00:48:12,937 [Charles McIntyre] And I must speak to thank our host 850 00:48:13,021 --> 00:48:14,979 and applaud his achievements. 851 00:48:17,187 --> 00:48:18,646 No masks, no matter. 852 00:48:18,729 --> 00:48:22,437 For Henry Lyon turns all before him into gold. 853 00:48:22,521 --> 00:48:24,604 Ha, nonsense! Pewter at best. 854 00:48:24,687 --> 00:48:25,604 [laughter] 855 00:48:25,687 --> 00:48:28,062 What he has done with matches is legendary. 856 00:48:28,562 --> 00:48:31,479 In two years, he's turned red into black. 857 00:48:31,562 --> 00:48:32,937 Or should I say, 858 00:48:33,896 --> 00:48:36,229 red into white? 859 00:48:36,312 --> 00:48:38,562 And to have this humble man turn his attention 860 00:48:38,646 --> 00:48:40,687 to typhoid and the working poor, 861 00:48:41,354 --> 00:48:44,187 raising funds, diagnosing cases in the community, 862 00:48:44,271 --> 00:48:46,437 I'm overwhelmed. I'm simply overwhelmed. 863 00:48:46,937 --> 00:48:51,062 Ladies and gentlemen, I give you Henry Lyon. 864 00:48:51,146 --> 00:48:56,021 And to his fine son, his heir, William. 865 00:48:58,479 --> 00:48:59,562 To the future. 866 00:49:00,354 --> 00:49:04,312 -[all] To the future. -[McIntyre] May it ever be bright. 867 00:49:04,854 --> 00:49:06,146 [foreboding music plays] 868 00:49:06,229 --> 00:49:08,062 [McIntyre] Right, Henry, light us up. 869 00:49:09,646 --> 00:49:10,479 [Mr. Lyon] Gladly. 870 00:49:12,604 --> 00:49:14,146 [audience gasps] 871 00:49:15,312 --> 00:49:17,271 [McIntyre] Now go and enjoy yourselves. 872 00:49:17,354 --> 00:49:19,312 [applause and cheering] 873 00:49:19,396 --> 00:49:21,771 [orchestral music plays] 874 00:49:23,854 --> 00:49:25,937 I believe I've seen that dress somewhere before. 875 00:49:26,021 --> 00:49:28,104 -[girls giggle] -Oh yes, last year. 876 00:49:30,437 --> 00:49:32,354 I think it's charming, elegant. 877 00:49:32,979 --> 00:49:34,229 I think you are kind. 878 00:49:48,604 --> 00:49:49,687 [Enola] Gentlemen. 879 00:49:50,562 --> 00:49:51,396 Ma'am. 880 00:49:52,271 --> 00:49:53,104 Good evening. 881 00:49:56,271 --> 00:49:58,771 This is a wonderful occasion, is it not? 882 00:50:02,146 --> 00:50:07,062 I mean, the guests are just… delightful. 883 00:50:08,271 --> 00:50:11,812 And the orchestra is most tuneful. 884 00:50:16,104 --> 00:50:18,146 I was wondering if 885 00:50:19,312 --> 00:50:21,687 I might be able to speak to you, Mr. Lyon. 886 00:50:24,604 --> 00:50:27,521 -Uh, have I said something wrong? -Where is your chaperone? 887 00:50:28,312 --> 00:50:29,312 Chaperone? 888 00:50:30,271 --> 00:50:33,729 My dear, you can hardly expect my son to talk to you unaccompanied. 889 00:50:35,146 --> 00:50:36,479 [dramatic music plays] 890 00:50:36,562 --> 00:50:38,104 -[man] Oh. -[woman sighs] 891 00:50:39,687 --> 00:50:42,187 -[man retches] -[woman groans] 892 00:50:44,479 --> 00:50:47,229 I cannot talk to you without a chaperone? 893 00:50:47,312 --> 00:50:48,854 No, of course not. 894 00:50:48,937 --> 00:50:49,896 Honestly? 895 00:50:52,229 --> 00:50:53,104 Honestly? 896 00:50:54,104 --> 00:50:55,396 Who is this woman? 897 00:50:55,479 --> 00:50:57,146 Well, they are talking. 898 00:50:57,229 --> 00:50:58,479 They are dancing. 899 00:50:59,187 --> 00:51:00,896 Good evening, my dear. 900 00:51:02,021 --> 00:51:03,021 [Enola] Yes. 901 00:51:03,104 --> 00:51:04,396 How foolish of me. 902 00:51:06,146 --> 00:51:06,979 Good evening. 903 00:51:08,646 --> 00:51:11,062 [lively orchestral music plays] 904 00:51:23,271 --> 00:51:25,896 It could be claimed, with some justification, 905 00:51:25,979 --> 00:51:27,771 that I might have prepared more thoroughly. 906 00:51:27,854 --> 00:51:30,021 But dancing is not one of my core strengths. 907 00:51:31,021 --> 00:51:32,312 Well, except… 908 00:51:32,396 --> 00:51:36,146 ♪ Knees up Mother Brown Under the table you must go ♪ 909 00:51:36,229 --> 00:51:37,729 ♪ Ee-aye, ee-aye, oh! ♪ 910 00:51:37,812 --> 00:51:39,146 [Eudoria laughs raucously] 911 00:51:39,229 --> 00:51:40,771 You see my situation. 912 00:51:40,854 --> 00:51:42,854 [lively orchestral music resumes] 913 00:51:46,521 --> 00:51:47,521 [sighs] 914 00:51:48,437 --> 00:51:49,562 [music ends] 915 00:51:49,646 --> 00:51:50,729 [tense music plays] 916 00:51:51,979 --> 00:51:53,146 [Sherlock] Who are you? 917 00:51:56,021 --> 00:51:57,396 [Sherlock] The man's a game player. 918 00:51:57,479 --> 00:51:59,521 Separate filings from five different accounts. 919 00:51:59,604 --> 00:52:02,729 Capable of covering his traces at every turn. One private bank. 920 00:52:02,812 --> 00:52:06,187 Vanishes and reappears. No name. Just a number. 921 00:52:06,729 --> 00:52:08,729 [tense music continues] 922 00:52:13,729 --> 00:52:15,687 [Sherlock] Perhaps a genius in mathematics. 923 00:52:15,771 --> 00:52:19,104 [echoing] Leading me a merry dance. 924 00:52:19,687 --> 00:52:20,562 It's a cipher. 925 00:52:20,646 --> 00:52:22,646 [tense music continues] 926 00:52:26,396 --> 00:52:27,229 The polka. 927 00:52:28,729 --> 00:52:31,312 The promenade. The two-step. 928 00:52:32,229 --> 00:52:33,729 They're all dances. 929 00:52:33,812 --> 00:52:35,437 [Sherlock] Dance, dance, dance, dance. 930 00:52:35,521 --> 00:52:36,896 Twenty-seven, turn on… 931 00:52:38,479 --> 00:52:40,562 [tense music continues] 932 00:52:42,396 --> 00:52:44,437 [Sherlock] Yes. The Language of the Dance. 933 00:52:44,521 --> 00:52:46,479 "Twenty-seven dances." 934 00:52:47,271 --> 00:52:48,146 I've got you. 935 00:52:48,229 --> 00:52:51,187 Dance one, then 14. 22. 936 00:52:53,396 --> 00:52:54,312 [music stops] 937 00:52:55,937 --> 00:52:58,646 Terrible, aren't they? These things. 938 00:52:59,604 --> 00:53:01,604 All pompidou and popinjay. 939 00:53:02,312 --> 00:53:03,771 Have we met somewhere before? 940 00:53:04,896 --> 00:53:08,187 I feel I recognize you from somewhere. 941 00:53:08,271 --> 00:53:11,437 [chuckles awkwardly] I simply have one of those faces. 942 00:53:13,896 --> 00:53:14,729 Mira Troy, 943 00:53:15,396 --> 00:53:17,312 private secretary to Lord McIntyre, 944 00:53:18,312 --> 00:53:19,354 Treasury Minister. 945 00:53:20,562 --> 00:53:21,396 Tabitha. 946 00:53:22,729 --> 00:53:24,271 Tabitha Timothy. 947 00:53:25,021 --> 00:53:26,437 [cheerful orchestral music plays] 948 00:53:27,354 --> 00:53:29,187 You mustn't let them concern you. 949 00:53:29,812 --> 00:53:31,271 It's just a performance. 950 00:53:32,104 --> 00:53:34,396 Everyone here is playing a part. 951 00:53:35,187 --> 00:53:36,187 Testing each other. 952 00:53:37,021 --> 00:53:38,854 [cheerful orchestral music continues] 953 00:53:38,937 --> 00:53:39,771 Winning. 954 00:53:41,396 --> 00:53:42,229 Losing. 955 00:53:43,562 --> 00:53:44,771 And it's fun, 956 00:53:45,729 --> 00:53:47,146 once you know the rules. 957 00:53:47,229 --> 00:53:49,229 [cheerful orchestral music continues] 958 00:53:53,521 --> 00:53:55,521 What are they doing with those fans? 959 00:53:56,229 --> 00:53:57,062 [chuckles] 960 00:53:58,187 --> 00:53:59,687 [Miss Troy] Sending messages. 961 00:54:00,187 --> 00:54:03,437 Saying everything that is forbidden, 962 00:54:05,229 --> 00:54:08,562 or too embarrassing to say aloud. 963 00:54:09,312 --> 00:54:10,771 [both giggle] 964 00:54:13,479 --> 00:54:15,062 Thank you for the lesson. 965 00:54:16,729 --> 00:54:18,229 It's a lesson hard learned. 966 00:54:20,646 --> 00:54:24,187 Without power, we women must rely on our wits for our fortune, 967 00:54:24,812 --> 00:54:27,396 because our chances are short. Here. 968 00:54:28,104 --> 00:54:28,937 Take my fan. 969 00:54:30,312 --> 00:54:31,604 I have no use for it. 970 00:54:33,104 --> 00:54:35,979 And if you wish to speak to William, 971 00:54:37,979 --> 00:54:39,562 you could always try with that. 972 00:54:41,062 --> 00:54:43,062 [cheerful orchestral music continues] 973 00:54:57,187 --> 00:54:58,604 No, not… No, not you. Oh. 974 00:55:01,562 --> 00:55:02,437 Help. 975 00:55:05,104 --> 00:55:06,479 It would be my delight. 976 00:55:10,521 --> 00:55:12,812 Really, there's no need to be rude. 977 00:55:12,896 --> 00:55:14,312 [Enola] I-I didn't mean to. 978 00:55:14,396 --> 00:55:16,771 [soft orchestral music plays] 979 00:55:16,854 --> 00:55:17,687 [sighs] 980 00:55:30,021 --> 00:55:31,312 Tewkesbury! 981 00:55:31,396 --> 00:55:33,812 -Your timing's impeccable! -Enola? 982 00:55:33,896 --> 00:55:36,812 Don't speak to me here, otherwise you'll be thrown onto the street. 983 00:55:41,062 --> 00:55:44,146 -I need you to teach me to dance. -Teach you to dance? When? 984 00:55:44,229 --> 00:55:46,271 -Teach me to dance now. -Wh… 985 00:55:46,354 --> 00:55:48,562 You understand I've been learning since I was five? 986 00:55:48,646 --> 00:55:51,646 Good. I'd feared you'd be a terrible teacher. 987 00:55:51,729 --> 00:55:54,396 -What are you doing here? -I'm looking for a murderer. 988 00:55:55,021 --> 00:55:57,437 Though I shouldn't have told you. Forget I told you that. 989 00:55:57,937 --> 00:56:01,937 -I'm trying to save a girl's life. -Through dance? 990 00:56:02,021 --> 00:56:03,271 Please, Tewkesbury. 991 00:56:06,479 --> 00:56:09,104 All right. Hold your back straight. 992 00:56:11,104 --> 00:56:14,146 And I'll place my hand here and here. 993 00:56:14,229 --> 00:56:15,604 Oh. Yes. 994 00:56:16,937 --> 00:56:17,812 Hold your arm out. 995 00:56:19,396 --> 00:56:20,229 Good. 996 00:56:20,896 --> 00:56:22,979 Now, I will lead and you will follow. 997 00:56:23,062 --> 00:56:25,562 -That seems like a mistake. -Face over my shoulder. 998 00:56:27,479 --> 00:56:30,521 And now, one, two, three. 999 00:56:31,062 --> 00:56:33,187 Two, three. Two, three. 1000 00:56:33,271 --> 00:56:36,229 Four, two, three. One, two, three. 1001 00:56:36,729 --> 00:56:37,562 Two, three. 1002 00:56:38,896 --> 00:56:39,771 Good. 1003 00:56:39,854 --> 00:56:41,854 [soft music plays] 1004 00:56:46,229 --> 00:56:48,354 You seem different since last we spoke. 1005 00:56:49,562 --> 00:56:51,187 Tell me why you've been coming to the park. 1006 00:56:51,271 --> 00:56:53,312 Why… Why watch me walk to the Lords? 1007 00:56:54,146 --> 00:56:55,562 Simply keeping an eye on you, 1008 00:56:56,062 --> 00:56:58,104 in case you get yourself into any more scrapes. 1009 00:56:58,187 --> 00:57:00,646 -Getting thrown out of trains. -Enola-- 1010 00:57:00,729 --> 00:57:02,896 You cannot be trusted to take care of yourself. 1011 00:57:03,604 --> 00:57:04,479 I'm a man now. 1012 00:57:04,562 --> 00:57:06,271 You're a man when I tell you you're a man. 1013 00:57:06,354 --> 00:57:09,354 And the scrapes I find myself in are far less visceral. 1014 00:57:09,854 --> 00:57:11,937 [soft music continues] 1015 00:57:13,146 --> 00:57:14,146 [Tewkesbury] Now, come on. 1016 00:57:16,771 --> 00:57:18,729 Two, three. Two, three. 1017 00:57:18,812 --> 00:57:19,937 Look into my eyes. 1018 00:57:20,521 --> 00:57:22,646 The rhythm is always there. 1019 00:57:23,604 --> 00:57:25,562 Dancing is a trust, it's a union. 1020 00:57:25,646 --> 00:57:27,271 That's why I've always loved it, 1021 00:57:27,771 --> 00:57:29,979 even when I was being tutored by my uncle. 1022 00:57:30,062 --> 00:57:31,771 That man likes a pork mustard pie. 1023 00:57:32,646 --> 00:57:33,562 His breath… 1024 00:57:34,187 --> 00:57:35,146 Turn, two. 1025 00:57:36,812 --> 00:57:37,854 Turn. Feel it? 1026 00:57:38,771 --> 00:57:39,604 I can feel it. 1027 00:57:39,687 --> 00:57:41,979 [soft music continues] 1028 00:57:48,396 --> 00:57:49,271 [Tewkesbury] Good. 1029 00:57:50,437 --> 00:57:52,604 -You dance well. -Perhaps I have a fine teacher. 1030 00:57:53,521 --> 00:57:56,896 Though his breath has less mustard on it than I'd hoped. [chuckles] 1031 00:57:56,979 --> 00:57:58,812 [music swells romantically] 1032 00:58:17,062 --> 00:58:18,229 [knocking on door] 1033 00:58:18,312 --> 00:58:21,062 -[woman] We have an urgent situation. -[knocking continues] 1034 00:58:21,146 --> 00:58:21,979 I should go. 1035 00:58:22,854 --> 00:58:24,104 You'll need a dance card. 1036 00:58:25,437 --> 00:58:26,896 But I don't know enough. 1037 00:58:30,062 --> 00:58:31,812 -What does that mean? -You'll learn. 1038 00:58:31,896 --> 00:58:33,396 [knocking on door] 1039 00:58:36,479 --> 00:58:39,437 Don't touch the ginger cake. Plays hopscotch with your bowels. 1040 00:58:39,521 --> 00:58:41,437 [lively orchestral music plays] 1041 00:58:51,812 --> 00:58:52,646 Oh. 1042 00:58:53,687 --> 00:58:54,604 Hello. 1043 00:58:59,854 --> 00:59:02,437 -Mr. Lyon. -Yes. 1044 00:59:02,521 --> 00:59:05,021 I was wondering if we might have a dance this evening. 1045 00:59:05,771 --> 00:59:07,187 My dance card is full. 1046 00:59:07,271 --> 00:59:08,312 May I see it? 1047 00:59:14,896 --> 00:59:15,771 [chuckles] 1048 00:59:16,354 --> 00:59:18,021 Your last waltz is still free. 1049 00:59:18,687 --> 00:59:19,812 How fitting. 1050 00:59:21,896 --> 00:59:22,896 Would you mind? 1051 00:59:23,979 --> 00:59:26,937 [uneasy music playing] 1052 00:59:34,604 --> 00:59:35,437 Until then. 1053 00:59:36,312 --> 00:59:38,896 [uneasy music continues] 1054 00:59:55,187 --> 00:59:56,104 'Tis he. 1055 00:59:57,146 --> 00:59:57,979 [music stops] 1056 00:59:58,062 --> 01:00:00,104 [inaudible speech] 1057 01:00:04,021 --> 01:00:05,646 You admire Lord Tewkesbury? 1058 01:00:06,312 --> 01:00:07,312 No! 1059 01:00:08,146 --> 01:00:09,604 [clears throat] No. 1060 01:00:10,771 --> 01:00:12,437 We are old friends. 1061 01:00:13,062 --> 01:00:15,729 I hear he's a good man, and a great reformer. 1062 01:00:16,521 --> 01:00:17,354 [Enola] Hm. 1063 01:00:18,187 --> 01:00:21,062 Well, if you wish to dance with him, you may have to wait. 1064 01:00:21,146 --> 01:00:22,271 There's quite a queue. 1065 01:00:25,271 --> 01:00:27,146 Yes, I mustn't lose my chance. 1066 01:00:29,646 --> 01:00:31,229 Good evening, Miss…? 1067 01:00:31,312 --> 01:00:32,229 Tabitha. 1068 01:00:33,062 --> 01:00:33,896 Cicely. 1069 01:00:41,646 --> 01:00:43,812 Forgive me for interrupting. My name is Cicely. 1070 01:00:43,896 --> 01:00:47,229 Um, your friend Tabitha suggested we might dance. 1071 01:00:48,271 --> 01:00:49,187 Did she? 1072 01:00:49,271 --> 01:00:51,271 [soft music plays] 1073 01:00:56,437 --> 01:01:01,021 [man] Ladies and gentlemen, please take your partners for the last waltz. 1074 01:01:01,104 --> 01:01:02,354 [tense music plays] 1075 01:01:19,021 --> 01:01:20,479 [tense music fades] 1076 01:01:22,229 --> 01:01:24,271 [dramatic music plays] 1077 01:01:27,479 --> 01:01:29,937 You know, I swear I know your face. 1078 01:01:30,021 --> 01:01:31,354 What must it be? 1079 01:01:31,937 --> 01:01:33,396 We have never met before, 1080 01:01:34,271 --> 01:01:36,229 but I've seen you looking. Why? 1081 01:01:36,312 --> 01:01:37,687 [dramatic music continues] 1082 01:01:39,979 --> 01:01:42,521 [Enola] Of course. The Paragon Music Hall. 1083 01:01:43,187 --> 01:01:45,687 I saw you talking with a young woman there. 1084 01:01:46,354 --> 01:01:47,687 Sarah Chapman. 1085 01:01:49,562 --> 01:01:52,021 Dislocate from me and I will scream. 1086 01:01:52,104 --> 01:01:55,687 The police are onto you, Mr. Lyon. As it happens, they are onto us both. 1087 01:01:55,771 --> 01:01:57,812 [dramatic music continues] 1088 01:01:57,896 --> 01:01:59,979 You were not invited here. What do you want? 1089 01:02:00,062 --> 01:02:03,646 [Enola] I'm a private detective, hired by Sarah's sister to find her. 1090 01:02:04,229 --> 01:02:05,521 Bessie hired you? 1091 01:02:05,604 --> 01:02:06,687 You know Bessie? 1092 01:02:08,521 --> 01:02:10,146 Leave me be, please, 1093 01:02:11,062 --> 01:02:12,521 or you will ruin everything. 1094 01:02:13,146 --> 01:02:16,021 -How? What will I ruin? -They're watching. 1095 01:02:17,187 --> 01:02:21,021 If you must persist with this, meet me in the library at midnight. 1096 01:02:22,062 --> 01:02:23,354 Say nothing more now. 1097 01:02:24,937 --> 01:02:26,062 Midnight it is. 1098 01:02:26,146 --> 01:02:28,187 [dramatic music continues] 1099 01:02:46,896 --> 01:02:47,812 [exhales] 1100 01:02:55,771 --> 01:02:56,812 "Moriarty." 1101 01:02:59,354 --> 01:03:00,229 Who are you? 1102 01:03:00,771 --> 01:03:03,979 [thunder rumbles] 1103 01:03:05,271 --> 01:03:07,646 [clock ticks] 1104 01:03:08,812 --> 01:03:09,646 [gasps] 1105 01:03:12,021 --> 01:03:14,979 -My word, you do get in awkward places. -Why are you holding a poker? 1106 01:03:15,062 --> 01:03:17,229 You must leave. I'm waiting for another. 1107 01:03:17,312 --> 01:03:19,437 Another you're scared of such that you need a weapon? 1108 01:03:19,521 --> 01:03:21,771 You are always here when I don't want you to be. 1109 01:03:21,854 --> 01:03:23,437 And sometimes here when you do. 1110 01:03:23,979 --> 01:03:26,521 -What's the matter with you? -Nothing that need concern you. 1111 01:03:28,187 --> 01:03:32,187 I like the look of the one you were dancing with. What's her name, Cicely? 1112 01:03:32,271 --> 01:03:33,979 She would make you an excellent wife. 1113 01:03:34,479 --> 01:03:36,312 Enola, I am concerned only for you. 1114 01:03:36,396 --> 01:03:39,354 Tewkesbury, if you're still here, you may scare him away. 1115 01:03:39,437 --> 01:03:42,396 -"Scare him"? All of this is over a man? -[sighs] 1116 01:03:43,771 --> 01:03:45,271 Just leave. 1117 01:03:45,354 --> 01:03:48,146 [clock chiming] 1118 01:03:55,896 --> 01:03:56,812 Lord Tewkesbury. 1119 01:03:57,896 --> 01:03:59,187 [door opens] 1120 01:04:00,479 --> 01:04:02,437 Enola Holmes, you're under arrest. 1121 01:04:02,521 --> 01:04:04,979 Try to escape, and we will make this difficult. 1122 01:04:05,062 --> 01:04:08,437 Let's make it quiet and spare the fine people any embarrassment. 1123 01:04:09,021 --> 01:04:11,646 -Sir, whatever this is about, I'm sure-- -Murder, sir. 1124 01:04:13,479 --> 01:04:14,729 It's about murder. 1125 01:04:14,812 --> 01:04:16,729 [dramatic music plays] 1126 01:04:17,937 --> 01:04:19,521 Tewkesbury, it's all right. 1127 01:04:20,396 --> 01:04:21,687 Constable, go on. 1128 01:04:23,312 --> 01:04:24,396 Keep them safe. 1129 01:04:25,896 --> 01:04:27,937 -Please. -[Lestrade] Come along. 1130 01:04:28,021 --> 01:04:29,479 [dramatic music continues] 1131 01:04:31,771 --> 01:04:32,854 Ow. 1132 01:04:35,562 --> 01:04:37,687 -[woman] Oh, I say. -I knew she didn't belong here. 1133 01:04:37,771 --> 01:04:39,937 [guests murmuring] 1134 01:04:40,979 --> 01:04:44,062 [ladies laugh] 1135 01:04:45,979 --> 01:04:47,896 -Despicable. -[woman] Disgraceful. 1136 01:04:47,979 --> 01:04:50,271 [dramatic music continues] 1137 01:04:57,812 --> 01:04:59,062 Quite a party. 1138 01:05:00,354 --> 01:05:03,562 You danced with young Master Lyon, I hear. 1139 01:05:04,937 --> 01:05:08,187 May I ask, impertinently, I'm sure, 1140 01:05:08,271 --> 01:05:09,729 did you want to kiss him, 1141 01:05:10,437 --> 01:05:12,562 or find out more about your case, 1142 01:05:13,271 --> 01:05:14,687 this Sarah Chapman? 1143 01:05:19,646 --> 01:05:23,562 Look, if you're trying to protect her, 1144 01:05:24,479 --> 01:05:25,354 know this. 1145 01:05:26,312 --> 01:05:28,771 I will protect her better. 1146 01:05:30,146 --> 01:05:32,021 There's someone wants to talk to her, 1147 01:05:32,771 --> 01:05:34,646 and they're not as kind as me. 1148 01:05:35,271 --> 01:05:36,104 "Someone"? 1149 01:05:39,146 --> 01:05:39,979 Who? 1150 01:05:40,062 --> 01:05:42,104 [thunder rumbles distantly] 1151 01:05:42,187 --> 01:05:44,771 Why were you following me that night? 1152 01:05:47,937 --> 01:05:50,437 You were following Mae too, weren't you? 1153 01:05:51,437 --> 01:05:52,979 That's why you found the flat. 1154 01:05:57,437 --> 01:05:58,312 Nice shirt. 1155 01:05:59,354 --> 01:06:00,187 Silk? 1156 01:06:01,062 --> 01:06:02,396 On a policeman's salary? 1157 01:06:04,604 --> 01:06:07,562 Who's paying you, Superintendent Grail? 1158 01:06:07,646 --> 01:06:10,021 Who's paying you to kill match girls? 1159 01:06:10,104 --> 01:06:11,937 Where's Sarah Chapman? 1160 01:06:12,021 --> 01:06:14,437 -I don't know. -She's a thief and a troublemaker. 1161 01:06:14,521 --> 01:06:16,896 You don't want to risk your skin for her. 1162 01:06:19,479 --> 01:06:23,146 Well, if I can't find it out from you, I'll find it out from someone else, 1163 01:06:23,229 --> 01:06:26,062 like her sister, little Bessie. 1164 01:06:27,271 --> 01:06:28,562 She's just a little girl. 1165 01:06:28,646 --> 01:06:31,312 Oh, but that's how it starts, Enola Holmes! 1166 01:06:31,396 --> 01:06:35,729 With little girls like her, and you, and Sarah Chapman, 1167 01:06:35,812 --> 01:06:38,604 asking questions, doubting those in charge, 1168 01:06:38,687 --> 01:06:40,979 not seeing their protection for what it is, 1169 01:06:41,062 --> 01:06:42,604 trying to tear it down. 1170 01:06:43,271 --> 01:06:47,062 Well, it only takes one little flame to start a fire, 1171 01:06:47,146 --> 01:06:50,104 and my job is to keep crushing those bloody flames out. 1172 01:06:54,021 --> 01:06:55,187 Now, I'll be kind 1173 01:06:55,687 --> 01:06:57,521 and give you one last chance. 1174 01:06:59,854 --> 01:07:00,729 Where is she? 1175 01:07:02,354 --> 01:07:03,229 I don't know. 1176 01:07:10,937 --> 01:07:12,396 Then you're for the noose. 1177 01:07:12,979 --> 01:07:14,479 Some detective you were. 1178 01:07:14,562 --> 01:07:15,479 [keys jingling] 1179 01:07:16,062 --> 01:07:17,812 Should have stuck to needlework. 1180 01:07:31,562 --> 01:07:32,687 [policeman] Sir? 1181 01:07:32,771 --> 01:07:34,062 -Sir. -[Sherlock] Don't be ridi-- 1182 01:07:34,146 --> 01:07:35,021 [stick clangs] 1183 01:07:37,854 --> 01:07:39,187 Superintendent Grail. 1184 01:07:40,687 --> 01:07:42,187 Mr. Holmes. 1185 01:07:44,021 --> 01:07:45,354 [Sherlock] I'm here for my sister. 1186 01:07:45,854 --> 01:07:47,729 If you can arrange her release, 1187 01:07:49,437 --> 01:07:50,604 I'd much appreciate it. 1188 01:07:52,646 --> 01:07:54,062 She is my ward and a minor. 1189 01:07:54,812 --> 01:07:55,812 And a murderer. 1190 01:07:55,896 --> 01:07:58,229 Any evidence you think you have against her-- 1191 01:07:58,312 --> 01:07:59,562 I have plenty. 1192 01:08:00,896 --> 01:08:04,396 She was seen arguing with the victim, following the victim, 1193 01:08:04,479 --> 01:08:08,187 fighting with the victim, and lastly, standing over the victim's dead body. 1194 01:08:08,271 --> 01:08:11,062 And when we find her there, with blood on her hands, 1195 01:08:11,146 --> 01:08:12,562 she bloody runs. 1196 01:08:15,437 --> 01:08:16,604 I saw your murder site. 1197 01:08:17,312 --> 01:08:19,062 [door creaks open] 1198 01:08:20,812 --> 01:08:24,437 Marks on and around the door show that it was forced open, 1199 01:08:24,521 --> 01:08:25,812 and recently. 1200 01:08:25,896 --> 01:08:27,229 There were signs of a scuffle 1201 01:08:27,312 --> 01:08:30,312 and boot marks from three separate intruders. 1202 01:08:30,396 --> 01:08:31,854 One of them heavyset, 1203 01:08:32,646 --> 01:08:35,437 judging by the height and extent of the subsequent damage. 1204 01:08:36,437 --> 01:08:38,854 Traces of fabric and spots of blood 1205 01:08:38,937 --> 01:08:42,771 suggests that there was another occupant, likely female, 1206 01:08:42,854 --> 01:08:44,521 who seems to have fought back, 1207 01:08:44,604 --> 01:08:47,604 using a sharp and improvised weapon… 1208 01:08:50,937 --> 01:08:52,812 before escaping through the window. 1209 01:08:52,896 --> 01:08:55,146 This was a targeted search and interrogation 1210 01:08:55,229 --> 01:08:57,312 in which two women were discovered, 1211 01:08:57,396 --> 01:08:59,437 and then my sister arrived, 1212 01:09:00,396 --> 01:09:03,062 and you were curiously fast to arrive after her. 1213 01:09:03,646 --> 01:09:06,271 Now, are you going to release her, or shall I? 1214 01:09:09,354 --> 01:09:12,437 -Sergeant Beeston, if you please. -[Beeston] Sir. 1215 01:09:13,896 --> 01:09:15,396 Fingerprint matching. 1216 01:09:15,479 --> 01:09:17,396 New invention, Swiss. 1217 01:09:17,479 --> 01:09:20,187 -You have heard of it? -I have. 1218 01:09:20,271 --> 01:09:22,062 [Grail] Would you care to look? 1219 01:09:23,021 --> 01:09:24,729 [tense music plays] 1220 01:09:24,812 --> 01:09:27,104 Makes our work so much more efficient, 1221 01:09:28,146 --> 01:09:29,937 especially in a murder case. 1222 01:09:30,021 --> 01:09:32,437 [tense music continues] 1223 01:09:36,354 --> 01:09:38,187 My sister never touched that weapon. 1224 01:09:39,521 --> 01:09:41,146 Then why are her prints on it? 1225 01:09:47,271 --> 01:09:49,771 It's a great age we live in, isn't it, Mr. Holmes? 1226 01:09:49,854 --> 01:09:52,687 [tense music continues] 1227 01:09:58,812 --> 01:09:59,937 [cat screeches] 1228 01:10:00,937 --> 01:10:04,187 -[foreboding music plays] -[thunder crashes] 1229 01:10:04,271 --> 01:10:06,812 [rain pouring] 1230 01:10:13,062 --> 01:10:15,271 [woman] Have you any sense what time it is? 1231 01:10:16,354 --> 01:10:19,604 -Hello, Edith. -You're lucky, I almost broke your legs. 1232 01:10:20,396 --> 01:10:22,104 Then I recognized the shoulders. 1233 01:10:22,729 --> 01:10:25,937 -You have very recognizable shoulders. -Enola's been arrested. 1234 01:10:27,437 --> 01:10:28,479 For why? 1235 01:10:29,312 --> 01:10:30,229 Murder. 1236 01:10:30,312 --> 01:10:31,521 [horse whinnies] 1237 01:10:31,604 --> 01:10:32,812 [dramatic music plays] 1238 01:10:32,896 --> 01:10:34,854 [Sherlock] What she's got tangled with, 1239 01:10:35,437 --> 01:10:37,354 it may go wider than I thought. 1240 01:10:39,687 --> 01:10:41,812 And there's something about this case that… 1241 01:10:43,271 --> 01:10:45,771 Deduction alone will not solve? 1242 01:10:45,854 --> 01:10:47,812 [tense music plays] 1243 01:10:47,896 --> 01:10:50,021 I may need your… 1244 01:10:53,521 --> 01:10:54,396 I need your help. 1245 01:10:56,562 --> 01:10:58,312 We need your help. 1246 01:10:58,854 --> 01:11:01,437 [guard] Exercise for 15 minutes. 1247 01:11:01,521 --> 01:11:04,104 [Edith] Well, like my mother always said, 1248 01:11:04,187 --> 01:11:06,521 "Those who can turn to others when they're in need 1249 01:11:06,604 --> 01:11:08,521 are the truly brave amongst us." 1250 01:11:09,354 --> 01:11:11,479 Your mother sounds very different to mine. 1251 01:11:13,646 --> 01:11:15,687 [foreboding organ music plays] 1252 01:11:22,687 --> 01:11:24,146 I did try to stop her, 1253 01:11:24,229 --> 01:11:27,562 but she's full of this fight. 1254 01:11:29,687 --> 01:11:30,521 [Enola gasps] 1255 01:11:30,604 --> 01:11:32,187 [guard] There we go. Finally. 1256 01:11:32,271 --> 01:11:34,646 [Edith] You can't control Enola Holmes. 1257 01:11:34,729 --> 01:11:37,062 She's a force of nature, 1258 01:11:37,812 --> 01:11:38,937 a law unto herself. 1259 01:11:39,021 --> 01:11:40,562 [guard] Go easy on her, girls. 1260 01:11:41,312 --> 01:11:42,146 [chuckles] 1261 01:11:43,104 --> 01:11:43,979 Yes, she is. 1262 01:11:46,104 --> 01:11:47,396 And I fear she will hang. 1263 01:11:47,937 --> 01:11:50,812 [foreboding organ music continues] 1264 01:12:02,062 --> 01:12:04,062 [foreboding music fades] 1265 01:12:04,854 --> 01:12:05,687 Hm? 1266 01:12:08,771 --> 01:12:12,521 -[guards shout] -[alarm rings] 1267 01:12:15,479 --> 01:12:18,521 [dramatic organ music plays] 1268 01:12:19,479 --> 01:12:20,479 [woman] Come on, girls! 1269 01:12:22,854 --> 01:12:23,687 In there. 1270 01:12:23,771 --> 01:12:25,396 [alarm bell rings] 1271 01:12:25,479 --> 01:12:26,646 'Tis I. 1272 01:12:26,729 --> 01:12:27,687 [gasps] 1273 01:12:28,854 --> 01:12:30,979 -[Edith] Yah! -[Enola laughs and sighs] 1274 01:12:32,562 --> 01:12:33,771 Oh, it is good to see you. 1275 01:12:34,687 --> 01:12:35,896 -[Edith] Yah! -[Enola screams] 1276 01:12:35,979 --> 01:12:37,062 Hang on! 1277 01:12:37,896 --> 01:12:41,104 [thrilling music playing] 1278 01:12:41,187 --> 01:12:42,104 [Edith] Yah! 1279 01:12:44,604 --> 01:12:46,021 They're onto us! 1280 01:12:47,104 --> 01:12:49,146 -Yah! -Be ready in there! 1281 01:12:51,146 --> 01:12:53,229 So this case of yours, how's it going? 1282 01:12:53,312 --> 01:12:54,187 I don't know. 1283 01:12:54,271 --> 01:12:57,396 I was trying to help a girl find her sister, and I've made things worse. 1284 01:12:57,479 --> 01:12:58,437 Nonsense. 1285 01:12:58,521 --> 01:13:01,229 You stirred up a hornet's nest. You are onto something. 1286 01:13:03,021 --> 01:13:05,354 -Standby! -Why else would they try and silence you? 1287 01:13:07,312 --> 01:13:09,396 Don't worry, it's completely harmless. 1288 01:13:09,479 --> 01:13:11,312 [thrilling music continues] 1289 01:13:12,271 --> 01:13:14,021 -[Edith] On your left! -My left or yours? 1290 01:13:14,854 --> 01:13:15,937 [Edith] Yours! 1291 01:13:17,854 --> 01:13:19,771 [thrilling music crescendos] 1292 01:13:22,021 --> 01:13:23,271 [tense music plays] 1293 01:13:31,729 --> 01:13:33,021 [laughs] 1294 01:13:33,104 --> 01:13:35,521 This match factory, what do you know about it? 1295 01:13:35,604 --> 01:13:36,979 It's a roaring success. 1296 01:13:37,062 --> 01:13:39,187 In two years, it's doubled its profits. 1297 01:13:39,271 --> 01:13:41,437 -And now there's typhus. -Typhus? 1298 01:13:41,521 --> 01:13:44,146 Yes, the girls are going down with it. They're dying. 1299 01:13:45,437 --> 01:13:46,437 That's a loose thread. 1300 01:13:46,521 --> 01:13:48,146 -What? -[Edith] They're back! 1301 01:13:48,854 --> 01:13:49,771 Yah! 1302 01:13:50,729 --> 01:13:53,437 Here they come! Brace yourselves! 1303 01:13:53,521 --> 01:13:55,521 [tense music continues] 1304 01:13:56,604 --> 01:13:57,562 [Enola screams] 1305 01:14:01,479 --> 01:14:03,229 We know about these factories. 1306 01:14:03,312 --> 01:14:04,771 Come on, come on! 1307 01:14:04,854 --> 01:14:06,979 Girls like Sarah Chapman, they're expendable. 1308 01:14:07,062 --> 01:14:09,771 They go missing, too often they die, no one cares. 1309 01:14:09,854 --> 01:14:12,812 But this girl, they care about. And greatly. 1310 01:14:12,896 --> 01:14:14,312 So, what does she know? 1311 01:14:14,396 --> 01:14:16,396 -[Edith laughs] -[policeman] Get up here now! 1312 01:14:16,479 --> 01:14:18,479 She stole something. Some papers. 1313 01:14:18,562 --> 01:14:22,729 Aha! So what's she gonna do with them? What's her plan? She's not a thief. 1314 01:14:22,812 --> 01:14:26,312 She's not a blackmailer. She is a troublemaker. 1315 01:14:26,396 --> 01:14:28,271 She knows something, 1316 01:14:28,354 --> 01:14:30,896 and that is infinitely more dangerous. 1317 01:14:31,396 --> 01:14:32,396 [Edith] Come on, lads! 1318 01:14:32,479 --> 01:14:34,396 [dramatic music plays] 1319 01:14:35,062 --> 01:14:36,771 [Enola screams] 1320 01:14:39,312 --> 01:14:41,812 -Stand by to the right! -Would you mind? 1321 01:14:41,896 --> 01:14:43,521 -[Edith] Wait for it. -W-W-Where? 1322 01:14:43,604 --> 01:14:45,354 -Wait for it! -Straight. 1323 01:14:46,062 --> 01:14:47,021 Now! 1324 01:14:48,229 --> 01:14:50,271 [policeman] Get it out! Get it out of here! 1325 01:14:50,354 --> 01:14:51,979 [pigeon coos] 1326 01:14:52,062 --> 01:14:53,479 -[explosion] -[screaming] 1327 01:14:54,521 --> 01:14:56,146 [dramatic music plays] 1328 01:14:58,896 --> 01:14:59,812 [laughs] 1329 01:14:59,896 --> 01:15:01,521 [dramatic music fades] 1330 01:15:01,604 --> 01:15:03,437 [Enola breathes heavily] 1331 01:15:03,521 --> 01:15:06,521 Now, whatever Sarah's hiding, Enola, 1332 01:15:07,646 --> 01:15:08,521 it's a secret. 1333 01:15:09,437 --> 01:15:10,854 [tense music plays] 1334 01:15:10,937 --> 01:15:13,687 You need to look for what she knows, Enola. 1335 01:15:13,771 --> 01:15:14,854 [horses whinny] 1336 01:15:16,229 --> 01:15:18,396 Find that out, and everything else will follow. 1337 01:15:18,479 --> 01:15:19,479 [metal scrapes] 1338 01:15:19,562 --> 01:15:20,604 [tense music plays] 1339 01:15:20,687 --> 01:15:22,104 She's probably under your nose. 1340 01:15:22,187 --> 01:15:24,187 -[gunshot] -[Enola gasps] 1341 01:15:24,271 --> 01:15:26,062 -Huh? -Get down! 1342 01:15:26,146 --> 01:15:27,479 -[gunshot] -[both yelp] 1343 01:15:28,146 --> 01:15:29,062 That's just rude. 1344 01:15:29,146 --> 01:15:30,812 [tense music continues] 1345 01:15:32,062 --> 01:15:33,896 -Grail. -[gunshot] 1346 01:15:38,021 --> 01:15:38,937 [gasps] 1347 01:15:39,021 --> 01:15:40,229 [Eudoria] You all right, Edith? 1348 01:15:40,312 --> 01:15:41,604 [Edith] Just about! Yah! 1349 01:15:42,812 --> 01:15:44,146 [chuckles sinisterly] 1350 01:15:44,771 --> 01:15:46,562 [Edith grunting] 1351 01:15:48,521 --> 01:15:49,521 Yah! 1352 01:15:49,604 --> 01:15:51,187 [tense music continues] 1353 01:15:56,229 --> 01:15:57,562 [Edith] Yah! 1354 01:15:59,312 --> 01:16:00,854 Oh, for goodness sake! 1355 01:16:02,646 --> 01:16:03,521 [horse whinnies] 1356 01:16:04,229 --> 01:16:05,271 [tense music continues] 1357 01:16:06,646 --> 01:16:07,646 Oh! 1358 01:16:08,687 --> 01:16:10,312 -[Edith yells] -[Eudoria yells] 1359 01:16:12,146 --> 01:16:13,521 [both groan] 1360 01:16:17,354 --> 01:16:18,896 [tense music fades] 1361 01:16:18,979 --> 01:16:19,979 That's not good. 1362 01:16:20,062 --> 01:16:21,604 [policeman] Get 'em to the bank! 1363 01:16:21,687 --> 01:16:22,812 [groaning] 1364 01:16:22,896 --> 01:16:24,604 You all right? You all right? 1365 01:16:25,604 --> 01:16:26,437 [Eudoria grunts] 1366 01:16:26,521 --> 01:16:27,812 -All right? -I'm all right, yeah. 1367 01:16:28,812 --> 01:16:29,854 Oh no. 1368 01:16:29,937 --> 01:16:30,771 [policeman] Sir. 1369 01:16:35,437 --> 01:16:36,812 Glory be. 1370 01:16:37,854 --> 01:16:38,979 It's the Holy Trinity. 1371 01:16:39,479 --> 01:16:41,854 [organ chord plays dramatically] 1372 01:16:41,937 --> 01:16:43,604 I'll make commissioner for this. 1373 01:16:44,937 --> 01:16:45,896 Take 'em. 1374 01:16:47,812 --> 01:16:48,937 Must we? 1375 01:16:49,021 --> 01:16:49,896 I fear so. 1376 01:16:49,979 --> 01:16:52,354 [organ music continues] 1377 01:16:57,229 --> 01:16:58,604 [choir singing] ♪ Hallelujah ♪ 1378 01:16:58,687 --> 01:17:00,271 -[Eudoria grunts] -♪ Hallelujah ♪ 1379 01:17:00,354 --> 01:17:02,021 -[Enola grunts] -♪ Hallelujah ♪ 1380 01:17:02,104 --> 01:17:05,604 ♪ Hallelujah, halle-lu-jah ♪ 1381 01:17:05,687 --> 01:17:07,604 ♪ Hallelujah ♪ 1382 01:17:08,187 --> 01:17:09,896 ♪ Hallelujah ♪ 1383 01:17:09,979 --> 01:17:12,979 ♪ Hallelujah, hallelujah, hallelujah ♪ 1384 01:17:13,062 --> 01:17:16,646 ♪ Hallelujah, halle-lu-jah ♪ 1385 01:17:16,729 --> 01:17:22,729 ♪ For the Lord God omnipotent reigneth ♪ 1386 01:17:22,812 --> 01:17:25,729 ♪ Hallelujah, hallelujah, hallelujah ♪ 1387 01:17:26,312 --> 01:17:30,021 ♪ King of Kings, and Lord of Lords… ♪ 1388 01:17:30,729 --> 01:17:32,187 -[Grail grunts] -[Edith] Enola. 1389 01:17:32,271 --> 01:17:34,896 ♪ And Lord of Lords ♪ 1390 01:17:34,979 --> 01:17:37,021 ♪ And He shall reign… ♪ 1391 01:17:37,104 --> 01:17:40,646 Enola… this is not harmless. 1392 01:17:40,729 --> 01:17:41,937 Run! 1393 01:17:42,021 --> 01:17:44,979 ♪ King of Kings, and Lord of Lords ♪ 1394 01:17:45,979 --> 01:17:49,354 ♪ Hallelujah, hallelujah Hallelujah, hallelujah… ♪ 1395 01:17:49,437 --> 01:17:51,396 [Eudoria whistles] 1396 01:17:52,146 --> 01:17:57,979 ♪ Hallelujah ♪ 1397 01:17:58,062 --> 01:18:02,604 [screams] 1398 01:18:02,687 --> 01:18:05,604 [Eudoria groans] Good thing I never valued my pelvis. 1399 01:18:06,312 --> 01:18:07,562 How about you, Edith? 1400 01:18:07,646 --> 01:18:09,187 -How are the kidneys? -[Edith] Fine. 1401 01:18:09,771 --> 01:18:10,937 I quite enjoyed it. 1402 01:18:11,021 --> 01:18:14,104 Hm. You enjoy everything. It's most irritating. 1403 01:18:14,646 --> 01:18:16,771 [Edith] Come on, this way. Better get a move on. 1404 01:18:16,854 --> 01:18:17,854 [Eudoria] All right. 1405 01:18:19,979 --> 01:18:23,979 So, um, how's that useless boy of yours? 1406 01:18:25,479 --> 01:18:26,896 I hear he's doing good work. 1407 01:18:27,729 --> 01:18:28,562 [Enola clicks tongue] 1408 01:18:29,146 --> 01:18:30,604 -He is. -Uh-huh. 1409 01:18:31,646 --> 01:18:34,729 Well then, perhaps not so useless after all. 1410 01:18:35,896 --> 01:18:38,562 I wouldn't say he's "my boy." 1411 01:18:42,271 --> 01:18:46,479 You know, I sometimes think I brought you up to be too independent. 1412 01:18:47,062 --> 01:18:49,229 -Mother! -[Eudoria] I did it with all of you. 1413 01:18:49,312 --> 01:18:53,479 Your purpose must be to find who you are. 1414 01:18:53,562 --> 01:18:56,354 You, Sherlock, Mycroft. 1415 01:18:56,854 --> 01:18:59,479 Strong, formidable, individual children, 1416 01:18:59,562 --> 01:19:03,187 but, well, perhaps a little lonely. 1417 01:19:06,062 --> 01:19:08,187 You will do very well on your own, Enola. 1418 01:19:08,937 --> 01:19:13,271 But with others, you could be magnificent. 1419 01:19:13,354 --> 01:19:15,354 [gentle music plays] 1420 01:19:15,896 --> 01:19:19,396 Who do you think organized all of this after all? Hm? 1421 01:19:19,896 --> 01:19:20,729 Me? 1422 01:19:23,312 --> 01:19:25,812 No, you find your allies. 1423 01:19:26,396 --> 01:19:29,771 Work with them, and you will become more of who you are. 1424 01:19:31,062 --> 01:19:32,562 You speak with one voice, 1425 01:19:33,104 --> 01:19:36,229 and you will make more noise than you could ever have imagined. 1426 01:19:38,437 --> 01:19:42,062 Come on. She should go. We'll put them off her scent. 1427 01:19:43,271 --> 01:19:46,312 So, you dust yourself down… 1428 01:19:46,396 --> 01:19:48,396 [gentle music continues] 1429 01:19:49,354 --> 01:19:50,437 …keep facing forward. 1430 01:19:52,521 --> 01:19:55,521 And if you ever get condemned for murder again, you give me a shout. 1431 01:19:56,687 --> 01:19:57,521 I will. 1432 01:20:02,146 --> 01:20:03,229 Thank you, Edith. 1433 01:20:08,437 --> 01:20:09,271 Be careful. 1434 01:20:09,354 --> 01:20:11,354 [gentle music continues] 1435 01:20:18,229 --> 01:20:19,146 [both chuckle] 1436 01:20:20,854 --> 01:20:21,937 [exhales softly] 1437 01:20:25,312 --> 01:20:26,687 [Eudoria] And get a haircut. 1438 01:20:26,771 --> 01:20:27,896 It's a mess. 1439 01:20:30,396 --> 01:20:31,771 I think my hair is fine. 1440 01:20:31,854 --> 01:20:33,854 [gentle music continues] 1441 01:20:45,104 --> 01:20:46,271 Come on. 1442 01:20:49,271 --> 01:20:51,146 [gentle music fades] 1443 01:20:51,229 --> 01:20:52,854 [Enola] I need you to pack your things. 1444 01:20:52,937 --> 01:20:55,146 I need you to be in a safer place. 1445 01:20:55,229 --> 01:20:57,854 Is… Is my sister gone? 1446 01:20:57,937 --> 01:20:59,521 -Like Mae? -No. 1447 01:20:59,604 --> 01:21:00,771 -[Bessie] Is she-- -No. 1448 01:21:00,854 --> 01:21:02,354 I'm sure she's all right. 1449 01:21:02,437 --> 01:21:04,354 I'm closer to finding her. 1450 01:21:06,271 --> 01:21:07,104 Doris, 1451 01:21:08,604 --> 01:21:09,687 she'll take me in. 1452 01:21:10,312 --> 01:21:12,021 She's got a spare bed now. 1453 01:21:13,937 --> 01:21:14,771 Her sister? 1454 01:21:16,312 --> 01:21:17,312 [Bessie] Dead. 1455 01:21:17,396 --> 01:21:18,229 Typhus. 1456 01:21:19,312 --> 01:21:20,146 [sighs] 1457 01:21:20,687 --> 01:21:22,062 [sinister music plays] 1458 01:21:23,354 --> 01:21:24,229 [Enola] Dead. 1459 01:21:36,312 --> 01:21:38,437 There's traces of something in this soil. 1460 01:21:41,104 --> 01:21:42,979 One has red, and one has white in it. 1461 01:21:43,062 --> 01:21:45,062 [sinister music continues] 1462 01:21:46,437 --> 01:21:50,187 The matches you make, when did they change from red to white? 1463 01:21:50,271 --> 01:21:52,646 I dunno. Around two years ago. 1464 01:21:52,729 --> 01:21:58,562 In two years, he's turned red into black. Or should I say red into white? 1465 01:21:59,146 --> 01:22:00,937 [Mr. Lyon] Typhus. The plague of our times. 1466 01:22:01,021 --> 01:22:03,604 Two years it's been killing these girls. 1467 01:22:03,687 --> 01:22:05,437 [sinister music continues] 1468 01:22:07,437 --> 01:22:09,104 [intriguing music plays] 1469 01:22:23,562 --> 01:22:24,396 Out. 1470 01:22:25,646 --> 01:22:26,854 What are you looking at? 1471 01:22:27,479 --> 01:22:28,854 [flies buzz] 1472 01:22:28,937 --> 01:22:31,104 [intriguing music continues] 1473 01:22:34,521 --> 01:22:36,521 [sinister music playing] 1474 01:22:56,312 --> 01:22:57,146 [knocking on door] 1475 01:22:58,646 --> 01:22:59,937 [music fades] 1476 01:23:00,896 --> 01:23:01,771 I need your help. 1477 01:23:04,437 --> 01:23:06,187 Don't make me repeat it! May I come in? 1478 01:23:08,229 --> 01:23:11,562 Firstly, I would like to apologize for so much. 1479 01:23:11,646 --> 01:23:14,104 I have failed to see allies in plain sight. 1480 01:23:14,187 --> 01:23:15,271 -And I have-- -Enola. 1481 01:23:16,271 --> 01:23:17,937 There's something I wish to say too. 1482 01:23:18,021 --> 01:23:19,396 -[Enola] All right. -If you'd just-- 1483 01:23:25,187 --> 01:23:29,062 All day, every day, all I do is compromise. 1484 01:23:30,229 --> 01:23:33,437 If I vote for this lord's bill that will allow him to pump bilge water into a lake, 1485 01:23:33,521 --> 01:23:35,604 then he will vote for my forestry reform. 1486 01:23:35,687 --> 01:23:39,104 I want to stand up and say, "This isn't right," but I have no allies. 1487 01:23:39,896 --> 01:23:42,521 So to do so would be to risk all that is good, 1488 01:23:42,604 --> 01:23:45,312 so I lie awake trying to work out which path to follow, 1489 01:23:46,187 --> 01:23:47,021 alone. 1490 01:23:48,854 --> 01:23:50,437 There is no search for a wife, 1491 01:23:51,396 --> 01:23:54,729 because politics consumes me constantly. 1492 01:23:57,646 --> 01:23:59,646 That is the speech I stored up for you. 1493 01:24:02,896 --> 01:24:03,896 You're a good man. 1494 01:24:05,187 --> 01:24:06,104 I'm a man now? 1495 01:24:06,604 --> 01:24:07,771 On occasion. 1496 01:24:08,437 --> 01:24:11,521 But I understand your struggle, because I struggle too. 1497 01:24:12,312 --> 01:24:14,271 I am sorry we cannot talk more, because I have-- 1498 01:24:14,354 --> 01:24:16,229 A case to solve? 1499 01:24:20,687 --> 01:24:22,937 The girl I'm looking for, Sarah Chapman, 1500 01:24:23,812 --> 01:24:25,562 she has proof that girls are dying 1501 01:24:25,646 --> 01:24:27,979 from the phosphorus they work with every day. 1502 01:24:28,062 --> 01:24:31,562 And the factory are trying to cover it up as typhus. 1503 01:24:32,604 --> 01:24:33,562 She knows it, 1504 01:24:34,771 --> 01:24:36,854 and someone is going to kill her for it. 1505 01:24:36,937 --> 01:24:38,021 Then what can we do? 1506 01:24:40,354 --> 01:24:41,187 We? 1507 01:24:44,312 --> 01:24:45,479 [knocking on door] 1508 01:24:47,354 --> 01:24:50,354 -Don't open it. it could be the police. -You're still wanted by the police? 1509 01:24:50,437 --> 01:24:52,604 -Of course. I escaped jail. -You escaped? 1510 01:24:52,687 --> 01:24:53,854 Forget I told you that. 1511 01:24:53,937 --> 01:24:54,937 [knocking continues] 1512 01:24:55,437 --> 01:24:58,521 The lights are on. If I don't answer, they'll suspect more. Hide. 1513 01:24:58,604 --> 01:25:00,271 -[knocking continues] -[Tewkesbury] Coming. 1514 01:25:02,771 --> 01:25:04,646 -Miss Cicely. -[Cicely] I'm sorry it's so late. 1515 01:25:04,729 --> 01:25:08,396 No, no, not at all. I-I told you to come. I-I want to help. 1516 01:25:08,479 --> 01:25:10,646 -[Cicely] Is anyone else here? -[Tewkesbury] No. 1517 01:25:10,729 --> 01:25:11,979 -Um-- -[Cicely] Good. 1518 01:25:12,521 --> 01:25:15,479 Better we are alone, for it is imperative that I speak with you. 1519 01:25:15,979 --> 01:25:18,562 Sir, I feel that you're a man of great character 1520 01:25:18,646 --> 01:25:19,771 and that I can trust you. 1521 01:25:20,271 --> 01:25:23,771 Which is why I fear I may have to unburden myself, and it may prove shocking. 1522 01:25:23,854 --> 01:25:24,937 [Tewkesbury] Miss Cicely-- 1523 01:25:25,021 --> 01:25:29,062 It's just, I've been wanting to speak with you about… a relationship. 1524 01:25:29,146 --> 01:25:32,437 Oh, that. Yes. Uh, perhaps we can discuss this another time? 1525 01:25:33,479 --> 01:25:34,312 [Cicely] Please, sir. 1526 01:25:34,396 --> 01:25:37,771 I'm terribly sorry. Let me assure you, I do share your interest. 1527 01:25:37,854 --> 01:25:40,312 -We will talk again. -[Cicely] Thank you. 1528 01:25:40,396 --> 01:25:41,479 [door closes] 1529 01:25:43,312 --> 01:25:45,646 She's gone. She was flustered. 1530 01:25:48,479 --> 01:25:51,312 Do not think of doubting me. Cicely was here for my help. 1531 01:25:51,896 --> 01:25:55,021 She told me at the ball that she's working on a bill to change factory law. 1532 01:25:56,354 --> 01:25:58,854 She's unearthed something, some corruption or other. 1533 01:25:59,479 --> 01:26:00,729 She's doing what? 1534 01:26:00,812 --> 01:26:02,271 [intriguing music plays] 1535 01:26:05,312 --> 01:26:09,146 Enola, if you have any concerns, I tell you categorically, I… 1536 01:26:09,229 --> 01:26:10,896 I have no eyes for anyone, but… 1537 01:26:12,562 --> 01:26:14,687 Well, no, this is not quite how I wanted to say that. 1538 01:26:15,729 --> 01:26:18,604 But to say, in terms of romantic interests, 1539 01:26:19,104 --> 01:26:21,271 yes, my interest is… 1540 01:26:21,771 --> 01:26:24,479 The reason I don't have to search, I'm busy with politics, like I said… 1541 01:26:24,562 --> 01:26:25,979 [Cicely] You admire Lord Tewkesbury? 1542 01:26:26,062 --> 01:26:28,687 I hear he is a good man and a great reformer. 1543 01:26:28,771 --> 01:26:31,146 The woman I would be most interested in-- 1544 01:26:31,229 --> 01:26:32,604 I mustn't lose my chance. 1545 01:26:33,937 --> 01:26:34,937 You're not listening. 1546 01:26:35,021 --> 01:26:36,812 Good evening, Lord Tewkesbury. 1547 01:26:36,896 --> 01:26:38,604 She didn't have a chaperone. 1548 01:26:39,687 --> 01:26:40,771 [Enola gasps] 1549 01:26:40,854 --> 01:26:43,229 You got five seconds to tell me why you're here. 1550 01:26:44,021 --> 01:26:45,312 [Enola] I have been blind! 1551 01:26:45,396 --> 01:26:48,271 The phosphorus in the match-making has mixed with oxygen. 1552 01:26:49,187 --> 01:26:50,687 I have missed everything. 1553 01:26:50,771 --> 01:26:52,229 She's probably under your nose. 1554 01:26:55,562 --> 01:26:56,896 Cicely. [chuckles] 1555 01:27:00,187 --> 01:27:02,187 [intriguing music crescendos] 1556 01:27:05,479 --> 01:27:07,604 Sarah is Cicely. [inhales sharply] 1557 01:27:09,396 --> 01:27:11,271 Cicely is Sarah! 1558 01:27:11,896 --> 01:27:13,104 -[Enola chuckles] -Enola! 1559 01:27:13,729 --> 01:27:15,021 Enola, what on Earth… 1560 01:27:15,812 --> 01:27:16,729 [groans] 1561 01:27:17,479 --> 01:27:19,396 Enola, did you understand what I said? 1562 01:27:20,104 --> 01:27:24,104 Or rather what I didn't say? Did you understand… what I didn't say? 1563 01:27:24,187 --> 01:27:26,396 Yes. You were saying that you… 1564 01:27:26,479 --> 01:27:28,021 [soft music plays] 1565 01:27:34,854 --> 01:27:35,937 [Tewkesbury] You'll learn. 1566 01:27:37,062 --> 01:27:40,854 That message you sent me with the fan at the ball, 1567 01:27:40,937 --> 01:27:41,854 what did it mean? 1568 01:27:45,687 --> 01:27:46,729 It means I love you. 1569 01:27:46,812 --> 01:27:48,187 [soft music continues] 1570 01:27:55,104 --> 01:27:58,271 [McIntyre] Ladies and gentlemen, to the future. 1571 01:28:02,771 --> 01:28:03,771 Of course. 1572 01:28:06,021 --> 01:28:08,354 They were working together, in love. 1573 01:28:09,479 --> 01:28:10,854 They had a plan. 1574 01:28:12,229 --> 01:28:16,604 To expose the corruption in that factory and stop what his father was doing. 1575 01:28:17,396 --> 01:28:18,646 They wanted your help. 1576 01:28:18,729 --> 01:28:20,854 William Lyon invited you to that ball. 1577 01:28:20,937 --> 01:28:22,479 He's a radical just like you. 1578 01:28:23,146 --> 01:28:25,187 They needed my help. You're right. 1579 01:28:25,979 --> 01:28:27,771 But, Enola, we must return inside. 1580 01:28:27,854 --> 01:28:30,187 The police are pursuing you, and we have much to talk of. 1581 01:28:30,271 --> 01:28:32,937 No! I know we have much to talk of, my dear, dear lord. 1582 01:28:33,021 --> 01:28:34,146 You love me. 1583 01:28:34,229 --> 01:28:36,271 And as it turns out, I love you too. 1584 01:28:36,354 --> 01:28:37,521 [soft music continues] 1585 01:28:37,604 --> 01:28:38,604 You love me too? 1586 01:28:41,062 --> 01:28:42,854 You really are a nincompoop. 1587 01:28:45,021 --> 01:28:45,854 Now hail a cab. 1588 01:28:46,479 --> 01:28:48,479 [bell tolls] 1589 01:28:49,729 --> 01:28:51,729 [footsteps crunching on gravel] 1590 01:28:57,104 --> 01:29:00,896 -[Enola] Shh. You're walking loudly. -[Tewkesbury] But it's gravel. 1591 01:29:00,979 --> 01:29:02,979 -[Enola] You've got large feet. -[Tewkesbury] I know. 1592 01:29:06,562 --> 01:29:08,229 [bell continues tolling] 1593 01:29:08,312 --> 01:29:10,562 [grunts] Wait here. Keep guard. 1594 01:29:10,646 --> 01:29:12,937 If anyone comes, just tell them you're a lord. 1595 01:29:13,729 --> 01:29:14,604 I am a lord. 1596 01:29:15,312 --> 01:29:16,937 Then they'll likely believe you. 1597 01:29:17,604 --> 01:29:18,437 All right. 1598 01:29:20,312 --> 01:29:21,604 [tense music plays] 1599 01:29:31,479 --> 01:29:33,479 [liquid bubbling] 1600 01:29:42,812 --> 01:29:43,687 [loud clang] 1601 01:29:52,687 --> 01:29:55,271 [suspenseful music playing softly] 1602 01:29:59,979 --> 01:30:01,937 [Enola grunts] 1603 01:30:02,021 --> 01:30:03,896 [grunting] 1604 01:30:03,979 --> 01:30:05,021 [Enola yells] 1605 01:30:09,854 --> 01:30:11,062 [Sherlock and Enola] You. 1606 01:30:11,937 --> 01:30:12,979 [tool clatters] 1607 01:30:13,479 --> 01:30:15,771 -How ridiculous you are. -[Sherlock] I'm ridiculous? 1608 01:30:15,854 --> 01:30:18,021 I told you to stay safe and stay away. 1609 01:30:18,104 --> 01:30:20,812 Now you're breaking out of prison and have the police after you. 1610 01:30:21,312 --> 01:30:24,146 Oh. Are you hurt? I am sorry. 1611 01:30:24,229 --> 01:30:25,687 Are you not hurt? 1612 01:30:27,229 --> 01:30:28,229 It seems not. 1613 01:30:29,146 --> 01:30:29,979 Hm. 1614 01:30:30,479 --> 01:30:32,604 I wonder who taught you to fight like that. 1615 01:30:33,354 --> 01:30:35,104 Another thing our mother has to answer for. 1616 01:30:35,187 --> 01:30:37,604 She should have fed me as well as you is what I think. 1617 01:30:38,646 --> 01:30:41,479 Hang on. Why are you here? Is it my case, or your own? 1618 01:30:42,062 --> 01:30:45,437 Both. I know how Grail got your fingerprints. 1619 01:30:45,521 --> 01:30:47,437 Oxidized phosphorus dust 1620 01:30:48,354 --> 01:30:50,729 lifted from the table and applied to the knife. 1621 01:30:51,812 --> 01:30:52,646 You're innocent. 1622 01:30:53,937 --> 01:30:55,062 You doubted it? 1623 01:30:55,812 --> 01:30:57,562 Nothing's certain till it's proved. 1624 01:30:59,437 --> 01:31:00,521 And your case? 1625 01:31:01,021 --> 01:31:03,187 [Sherlock] My adversary, his trail, 1626 01:31:03,812 --> 01:31:04,937 it leads here. 1627 01:31:06,896 --> 01:31:08,854 It seems our cases are connected. 1628 01:31:11,104 --> 01:31:11,979 Shall we? 1629 01:31:12,062 --> 01:31:14,729 [intense music plays darkly] 1630 01:31:44,521 --> 01:31:45,437 William Lyon. 1631 01:31:46,896 --> 01:31:48,437 Sarah's love. 1632 01:31:48,521 --> 01:31:50,812 And my thief in a taper crown hat. 1633 01:31:57,479 --> 01:32:01,021 Stay unemotional. There's nothing more we can do for him now. 1634 01:32:01,729 --> 01:32:04,396 Need to keep our minds fresh and our eyes sharp. 1635 01:32:04,896 --> 01:32:06,271 [Enola] He was seized. 1636 01:32:07,604 --> 01:32:10,521 -[Sherlock] Yes, and searched. -[Enola] For the document he took? 1637 01:32:11,854 --> 01:32:12,687 A knife? 1638 01:32:13,271 --> 01:32:14,271 No, bigger. 1639 01:32:15,854 --> 01:32:16,812 A cutlass. 1640 01:32:18,937 --> 01:32:20,229 Heavy boot scuffs, 1641 01:32:21,646 --> 01:32:24,229 and scratch marks from a cane that has a metal ferrule. 1642 01:32:24,312 --> 01:32:25,187 [metal clangs] 1643 01:32:26,104 --> 01:32:27,271 Grail. 1644 01:32:28,312 --> 01:32:29,812 But at whose behest? 1645 01:32:30,937 --> 01:32:32,687 There was another in this room. 1646 01:32:32,771 --> 01:32:34,354 This cigar had a holder. 1647 01:32:34,437 --> 01:32:36,104 [intense music continues] 1648 01:32:38,062 --> 01:32:39,729 And traces of wool. 1649 01:32:42,104 --> 01:32:44,646 [Sherlock] Astrakhan, the finest. 1650 01:32:44,729 --> 01:32:49,104 [Mr. Lyon] Well, Lord McIntyre, if I, um, might suggest a little lunch. 1651 01:32:50,437 --> 01:32:53,187 [William] Leave me be, please. They're watching. 1652 01:32:56,604 --> 01:32:58,062 Where did William steal from? 1653 01:32:58,562 --> 01:33:00,604 -The Treasury Office? -Yes. 1654 01:33:00,687 --> 01:33:03,354 The office of Lord McIntyre, Treasury Minister. 1655 01:33:03,937 --> 01:33:05,187 How did you come to that? 1656 01:33:06,396 --> 01:33:08,521 I think what William stole was proof 1657 01:33:08,604 --> 01:33:11,521 that Lyon and McIntyre were conspiring together. 1658 01:33:12,604 --> 01:33:14,229 -Corruption. -[Enola] Yes. 1659 01:33:14,312 --> 01:33:16,062 Fueled by greed. 1660 01:33:16,729 --> 01:33:20,104 McIntyre has been secretly profiting from the factory. 1661 01:33:20,187 --> 01:33:23,062 They changed the match formula to a cheaper phosphorus, 1662 01:33:24,562 --> 01:33:25,729 and it's deadly. 1663 01:33:26,354 --> 01:33:27,229 [Tewkesbury] Enola? 1664 01:33:27,312 --> 01:33:28,854 Enola, I was concerned for you. 1665 01:33:28,937 --> 01:33:31,729 You left me out there in the dark, and I nearly tore my… 1666 01:33:35,229 --> 01:33:37,146 -Sherlock Holmes? How do-- -Not the time. 1667 01:33:39,437 --> 01:33:40,312 Oh my… 1668 01:33:41,687 --> 01:33:43,021 -Is he-- -Stay unemotional. 1669 01:33:44,854 --> 01:33:47,187 -[Tewkesbury] Who did this? -Lord McIntyre. 1670 01:33:47,771 --> 01:33:49,812 -No. -But it all fits. 1671 01:33:49,896 --> 01:33:53,104 No one has sat in this chair. No marks on the carpet, no indentation. 1672 01:33:53,187 --> 01:33:56,312 The cigar has been smoked, but cold. 1673 01:33:57,146 --> 01:33:59,646 And look, no ash. 1674 01:34:01,896 --> 01:34:04,562 -No lips have touched that glass. -[Sherlock] Exactly. 1675 01:34:04,646 --> 01:34:07,146 These clues have been planted for us to find, 1676 01:34:07,729 --> 01:34:09,271 to mislead us from the true villain. 1677 01:34:10,271 --> 01:34:11,521 This has all been staged. 1678 01:34:13,271 --> 01:34:14,104 By who? 1679 01:34:14,854 --> 01:34:18,979 Not McIntyre, but by someone who had a lot to lose without that document. 1680 01:34:19,062 --> 01:34:22,021 Someone who knew what they were up to and was blackmailing them. 1681 01:34:23,396 --> 01:34:24,396 My opponent. 1682 01:34:27,229 --> 01:34:28,896 Someone who likes a game. 1683 01:34:30,854 --> 01:34:34,104 -Did they get what they wanted? -[Sherlock] No, I don't think so. 1684 01:34:36,979 --> 01:34:37,854 Poor William. 1685 01:34:46,271 --> 01:34:47,646 [intriguing music playing] 1686 01:34:47,729 --> 01:34:48,562 [Tewkesbury] Hm. 1687 01:34:55,437 --> 01:34:58,562 -[Enola] They did get something. -[Sherlock] Mae's terrible music. 1688 01:34:59,229 --> 01:35:00,937 "The Truth of the Gods." 1689 01:35:01,021 --> 01:35:02,771 Could be biblical, mythical. 1690 01:35:02,854 --> 01:35:03,729 Theatrical? 1691 01:35:07,437 --> 01:35:10,187 The Gods is the top row of the theater. 1692 01:35:10,854 --> 01:35:11,729 The balcony. 1693 01:35:12,937 --> 01:35:14,146 Doesn't everyone know that? 1694 01:35:14,729 --> 01:35:16,021 [dramatic music plays] 1695 01:35:16,104 --> 01:35:17,229 This isn't music. 1696 01:35:17,312 --> 01:35:18,437 [crowd cheering faintly] 1697 01:35:23,396 --> 01:35:25,312 [dramatic music crescendos] 1698 01:35:26,146 --> 01:35:27,021 It's a map. 1699 01:35:27,521 --> 01:35:29,521 [thrilling music playing] 1700 01:35:34,437 --> 01:35:35,729 [horse whinnies] 1701 01:35:36,979 --> 01:35:39,646 Just to be clear as to what we might be about to face… 1702 01:35:40,979 --> 01:35:43,562 There may be some violence. You've faced it before. 1703 01:35:44,479 --> 01:35:45,354 Yes. 1704 01:35:46,021 --> 01:35:47,812 I did have part of a suit of armor on. 1705 01:35:48,312 --> 01:35:51,437 But yes, fighting will be… [chuckles] 1706 01:35:52,479 --> 01:35:53,312 Yes. 1707 01:35:53,396 --> 01:35:55,771 -You've been in a fight before? -Yes, plenty of fights. 1708 01:35:55,854 --> 01:35:56,979 Fenced for my school. 1709 01:35:57,896 --> 01:35:58,729 [Enola] Mm. 1710 01:36:02,479 --> 01:36:04,479 Fine. Can you teach me to fight? 1711 01:36:05,396 --> 01:36:07,854 What, right now? In a carriage? 1712 01:36:07,937 --> 01:36:10,937 Did I not teach you to dance in five minutes in a bathroom? 1713 01:36:12,104 --> 01:36:14,187 All right. Fine. 1714 01:36:18,187 --> 01:36:21,771 There are two secrets to fighting. Avoid the punch, make the counterpunch. 1715 01:36:21,854 --> 01:36:23,187 [humorous music playing] 1716 01:36:23,271 --> 01:36:24,937 I don't see how two secrets-- Ow! 1717 01:36:26,062 --> 01:36:27,396 Your first lesson. 1718 01:36:27,479 --> 01:36:28,312 Ow. 1719 01:36:29,437 --> 01:36:30,396 Ow! 1720 01:36:30,479 --> 01:36:32,604 Your second. You didn't avoid the punch. 1721 01:36:32,687 --> 01:36:35,854 -You can hardly expect me to hit a girl. -Oh dear. 1722 01:36:35,937 --> 01:36:36,771 I'm not some-- Ow! 1723 01:36:37,646 --> 01:36:38,979 Ow! Will you stop that? 1724 01:36:39,479 --> 01:36:41,021 [laughing] I can't stop. 1725 01:36:42,604 --> 01:36:45,979 -[both laugh] -[Sherlock] We're approaching. 1726 01:36:48,812 --> 01:36:50,896 [both breathe heavily] 1727 01:36:54,562 --> 01:36:56,354 [romantic music playing] 1728 01:36:58,521 --> 01:37:02,146 [romantic music swells] 1729 01:37:11,437 --> 01:37:13,187 I may need more of those lessons. 1730 01:37:13,271 --> 01:37:14,521 [both laugh] 1731 01:37:21,437 --> 01:37:23,437 [romantic music fades] 1732 01:37:38,604 --> 01:37:40,271 [Enola] X marks the spot. 1733 01:37:41,521 --> 01:37:42,854 [mysterious music playing] 1734 01:37:59,812 --> 01:38:00,812 [Enola] Sarah. 1735 01:38:03,604 --> 01:38:04,479 It's all there. 1736 01:38:06,271 --> 01:38:07,771 All the proof we need. 1737 01:38:09,479 --> 01:38:12,687 [Enola] The contract between Lyon and McIntyre 1738 01:38:13,562 --> 01:38:15,104 to change the phosphorus. 1739 01:38:17,396 --> 01:38:19,021 What William stole for you. 1740 01:38:24,187 --> 01:38:27,562 And the pages from the factory register. 1741 01:38:27,646 --> 01:38:29,771 That's what you stole from the office. 1742 01:38:31,146 --> 01:38:33,354 These are the names of the girls they killed. 1743 01:38:33,437 --> 01:38:35,229 [Sarah] I couldn't let 'em be forgotten. 1744 01:38:37,146 --> 01:38:40,979 And it's proof that match girls are dying from working in that factory, 1745 01:38:41,479 --> 01:38:42,854 and they knew it all along. 1746 01:38:45,021 --> 01:38:47,312 You're a bloody good detective, Enola Holmes. 1747 01:38:47,396 --> 01:38:48,771 [inhales deeply] 1748 01:38:49,729 --> 01:38:51,271 You are too, Sarah Chapman. 1749 01:38:55,437 --> 01:38:57,771 I will share this with the world, I promise you. 1750 01:38:59,896 --> 01:39:00,729 Thank you. 1751 01:39:02,312 --> 01:39:05,062 Now we must find William. He was supposed to meet me six hours ago. 1752 01:39:07,521 --> 01:39:10,104 I'm afraid William won't be coming. 1753 01:39:13,729 --> 01:39:15,771 [somber music plays] 1754 01:39:15,854 --> 01:39:16,687 What? 1755 01:39:17,354 --> 01:39:18,187 [sighs] 1756 01:39:20,271 --> 01:39:21,104 I'm sorry. 1757 01:39:22,771 --> 01:39:24,104 I'm so sorry. 1758 01:39:24,187 --> 01:39:26,687 [somber music continues] 1759 01:39:30,062 --> 01:39:32,021 I told him we had everything we needed. 1760 01:39:33,271 --> 01:39:34,771 That we should just go public. 1761 01:39:37,646 --> 01:39:41,604 He said nobody would care unless we had someone in power who would listen. 1762 01:39:44,479 --> 01:39:46,604 He was just trying to keep me safe. 1763 01:39:48,937 --> 01:39:50,062 And now I've lost him. 1764 01:39:50,812 --> 01:39:53,021 We must move quickly, or we'll lose you too. 1765 01:39:54,104 --> 01:39:55,812 [Grail] Losing this… 1766 01:39:58,479 --> 01:39:59,729 losing that. 1767 01:40:02,062 --> 01:40:02,979 [whimpering] 1768 01:40:03,479 --> 01:40:05,646 -[Grail] Seems you've lost everything. -Bessie! 1769 01:40:06,187 --> 01:40:08,104 You've all been very careless. 1770 01:40:10,062 --> 01:40:10,896 [switchblade swishes] 1771 01:40:14,104 --> 01:40:15,062 I'll take those. 1772 01:40:15,146 --> 01:40:16,354 Let go of her. 1773 01:40:19,021 --> 01:40:20,729 Give me the papers and I will. 1774 01:40:21,937 --> 01:40:23,937 [tense music plays] 1775 01:40:33,229 --> 01:40:34,437 -[Grail yelps] -[gunshot] 1776 01:40:34,521 --> 01:40:35,812 [grunting] 1777 01:40:35,896 --> 01:40:37,229 Run, Bessie! 1778 01:40:37,771 --> 01:40:38,937 [Grail groans] 1779 01:40:39,437 --> 01:40:40,646 [policeman groans] 1780 01:40:40,729 --> 01:40:42,479 [tense music continues] 1781 01:40:43,271 --> 01:40:46,354 -[Sherlock] Don't just stand there! -[tense music continues] 1782 01:40:47,771 --> 01:40:49,187 [Enola screams] 1783 01:40:49,937 --> 01:40:51,437 [Enola yells] 1784 01:40:51,521 --> 01:40:53,396 [grunts] Ow! 1785 01:40:53,479 --> 01:40:56,771 -[Grail] Get after them! -[dramatic music plays] 1786 01:40:58,521 --> 01:40:59,521 -[gunshot] -[Enola screams] 1787 01:41:03,854 --> 01:41:06,396 -[gunshot] -[dramatic music continues] 1788 01:41:08,854 --> 01:41:10,271 -[gunshot] -[Sherlock groans] 1789 01:41:12,771 --> 01:41:14,854 [groans] Ow. 1790 01:41:14,937 --> 01:41:17,396 [groaning] 1791 01:41:20,187 --> 01:41:21,979 Avoid the punch, make the counterpunch. 1792 01:41:22,937 --> 01:41:24,521 [dramatic music continues] 1793 01:41:24,604 --> 01:41:25,812 [Tewkesbury grunts and groans] 1794 01:41:28,479 --> 01:41:30,937 [grunting] 1795 01:41:35,562 --> 01:41:36,562 [policeman yells] 1796 01:41:36,646 --> 01:41:38,854 [dramatic music continues] 1797 01:41:40,104 --> 01:41:42,937 [grunting] 1798 01:41:44,937 --> 01:41:45,854 Tewkesbury! 1799 01:41:54,021 --> 01:41:55,146 [dramatic music fades] 1800 01:42:00,604 --> 01:42:02,604 [ominous music playing] 1801 01:42:06,187 --> 01:42:08,521 [dramatic music plays] 1802 01:42:08,604 --> 01:42:10,479 [grunting] 1803 01:42:11,062 --> 01:42:12,687 [grunting] 1804 01:42:15,854 --> 01:42:17,812 [tense music plays] 1805 01:42:27,437 --> 01:42:28,854 [glass shatters] 1806 01:42:29,896 --> 01:42:31,021 [dramatic music plays] 1807 01:42:31,521 --> 01:42:32,562 [Enola grunts] 1808 01:42:33,979 --> 01:42:35,396 [policeman grunts] 1809 01:42:35,479 --> 01:42:37,562 [dramatic music continues] 1810 01:42:37,646 --> 01:42:39,646 [grunting] 1811 01:42:41,396 --> 01:42:42,896 [dramatic music continues] 1812 01:42:45,021 --> 01:42:45,896 [Sherlock groans] 1813 01:42:47,062 --> 01:42:48,271 [Enola] Argh! 1814 01:42:48,354 --> 01:42:49,187 Argh. 1815 01:42:50,354 --> 01:42:52,271 [tense music plays] 1816 01:42:52,354 --> 01:42:53,687 [Bessie gasps and grunts] 1817 01:42:54,562 --> 01:42:55,521 [Enola] No! 1818 01:42:55,604 --> 01:42:56,854 -[gunshot] -[Bessie yelps] 1819 01:42:58,687 --> 01:42:59,854 [Bessie whimpers] 1820 01:42:59,937 --> 01:43:01,562 [tense music plays] 1821 01:43:04,521 --> 01:43:05,687 -[gun clicks] -[Enola gasps] 1822 01:43:05,771 --> 01:43:07,146 [Sarah] Bessie! 1823 01:43:08,729 --> 01:43:10,021 [Enola] Run. 1824 01:43:10,104 --> 01:43:11,229 [switchblade clicks] 1825 01:43:11,312 --> 01:43:12,562 [Enola] I said run! 1826 01:43:12,646 --> 01:43:14,521 [suspenseful music plays] 1827 01:43:15,521 --> 01:43:16,437 [Enola grunts] 1828 01:43:17,437 --> 01:43:19,104 -[blade swishes] -[Enola grunts] 1829 01:43:20,104 --> 01:43:22,021 [grunting] 1830 01:43:22,104 --> 01:43:24,062 [Enola yelps and groans] 1831 01:43:24,146 --> 01:43:26,062 [Enola gasps and grunts] 1832 01:43:26,146 --> 01:43:27,396 -[blade clatters] -[Enola grunts] 1833 01:43:27,479 --> 01:43:31,271 [suspenseful music continues] 1834 01:43:36,604 --> 01:43:39,187 [breathing heavily] 1835 01:43:40,021 --> 01:43:42,187 [suspenseful music continues] 1836 01:43:50,271 --> 01:43:51,396 [chains clanging] 1837 01:43:55,562 --> 01:43:56,979 [Grail grunts] 1838 01:43:57,062 --> 01:43:58,062 [Tewkesbury] Enola! 1839 01:44:00,062 --> 01:44:02,396 [unsettling music plays] 1840 01:44:05,187 --> 01:44:08,146 -[Enola gasps] -[Mae] You got more to you than I thought. 1841 01:44:08,229 --> 01:44:09,729 [dramatic music plays] 1842 01:44:09,812 --> 01:44:11,729 -[Enola grunts] -[policeman grunts] 1843 01:44:12,646 --> 01:44:16,104 [grunting] 1844 01:44:17,021 --> 01:44:18,812 [grunting] 1845 01:44:18,896 --> 01:44:20,896 [tense music plays] 1846 01:44:22,312 --> 01:44:23,604 [Enola gasps] 1847 01:44:29,271 --> 01:44:30,271 [policeman grunts] 1848 01:44:31,854 --> 01:44:33,146 [Enola groans] 1849 01:44:43,729 --> 01:44:46,104 [suspenseful music plays] 1850 01:44:55,646 --> 01:44:58,312 [grunting] 1851 01:44:59,646 --> 01:45:00,646 [Enola whimpers] 1852 01:45:01,479 --> 01:45:02,771 [rapid breaths] 1853 01:45:02,854 --> 01:45:04,854 [suspenseful music continues] 1854 01:45:06,312 --> 01:45:07,646 [music fades] 1855 01:45:07,729 --> 01:45:09,729 [breathes heavily] 1856 01:45:11,146 --> 01:45:13,062 [breathes heavily] 1857 01:45:13,146 --> 01:45:14,187 [tense music plays] 1858 01:45:14,271 --> 01:45:15,104 [Grail] Huh. 1859 01:45:17,437 --> 01:45:19,604 What places we find ourselves in. 1860 01:45:24,687 --> 01:45:26,312 What places indeed. 1861 01:45:26,396 --> 01:45:28,396 [tense music continues] 1862 01:45:30,479 --> 01:45:32,854 I've always loved the theater. 1863 01:45:32,937 --> 01:45:34,146 [tense music continues] 1864 01:45:36,979 --> 01:45:37,812 Got it? 1865 01:45:37,896 --> 01:45:41,937 I used to dream I'd end up on the stage. [chuckles] 1866 01:45:43,896 --> 01:45:45,104 You're not rid of me yet, 1867 01:45:45,187 --> 01:45:47,271 Viscount Tewkesbury, Marquess of Basilwether. 1868 01:45:47,354 --> 01:45:48,896 [tense music continues] 1869 01:45:50,104 --> 01:45:51,146 [Tewkesbury grunts] 1870 01:45:52,062 --> 01:45:53,437 [dramatic music plays intensely] 1871 01:45:57,604 --> 01:45:59,104 Enola! 1872 01:46:03,521 --> 01:46:05,604 [Grail screaming] 1873 01:46:06,229 --> 01:46:07,562 -Hurrah! -[Enola grunts] 1874 01:46:10,271 --> 01:46:11,146 [body thuds] 1875 01:46:12,146 --> 01:46:14,354 [somber chord plays] 1876 01:46:18,854 --> 01:46:19,896 Are you all right? 1877 01:46:21,146 --> 01:46:22,146 [Enola whimpers] 1878 01:46:26,521 --> 01:46:27,896 You were made to fight. 1879 01:46:28,771 --> 01:46:32,021 [gentle string music playing] 1880 01:46:37,354 --> 01:46:39,437 [single person clapping] 1881 01:46:39,521 --> 01:46:40,979 Congratulations. 1882 01:46:41,479 --> 01:46:43,021 [tense music plays] 1883 01:46:43,104 --> 01:46:45,437 [Enola] Lord McIntyre. What are you doing here? 1884 01:46:45,521 --> 01:46:47,854 [chuckles] I was summoned. 1885 01:46:48,687 --> 01:46:52,437 Your brother knew that I would want to see the right people shown justice. 1886 01:46:52,521 --> 01:46:54,687 And I don't know how to thank you 1887 01:46:54,771 --> 01:46:57,312 for retrieving this government property 1888 01:46:57,396 --> 01:46:59,687 and, uh, bringing this killer to light. 1889 01:46:59,771 --> 01:47:03,604 A rot amongst our ranks. 1890 01:47:06,187 --> 01:47:09,437 The world shall know the name Enola Holmes, 1891 01:47:09,521 --> 01:47:10,687 I'll make sure of it. 1892 01:47:12,521 --> 01:47:14,562 Lestrade, arrest that girl. 1893 01:47:14,646 --> 01:47:15,479 [Bessie gasps] 1894 01:47:15,562 --> 01:47:17,854 -[tense music plays] -She's done nothing wrong. 1895 01:47:17,937 --> 01:47:19,854 On what charge, sir? 1896 01:47:19,937 --> 01:47:23,479 -Theft. -All she stole from you was the truth. 1897 01:47:23,562 --> 01:47:25,729 She took personal information, 1898 01:47:26,646 --> 01:47:30,646 which she used for extortion and blackmail. 1899 01:47:30,729 --> 01:47:33,437 Which is why she will serve her time. 1900 01:47:33,937 --> 01:47:34,771 [Sherlock] Ah. 1901 01:47:35,271 --> 01:47:36,896 [tense music continues] 1902 01:47:36,979 --> 01:47:38,104 But you are mistaken. 1903 01:47:39,187 --> 01:47:42,062 She was not your blackmailer. 1904 01:47:42,562 --> 01:47:45,437 I summoned you here to draw that very person out. 1905 01:47:46,062 --> 01:47:47,812 The accounting was masterful. 1906 01:47:48,521 --> 01:47:52,812 A tangle of roots, but all pointed to one pocket. 1907 01:47:53,521 --> 01:47:57,396 One person receiving the fruits of their schemes 1908 01:47:57,479 --> 01:47:58,771 with no one noticing. 1909 01:48:00,396 --> 01:48:03,437 Hearing everything, seeing everything. 1910 01:48:04,812 --> 01:48:06,854 Ignored for years. 1911 01:48:06,937 --> 01:48:08,354 [Sherlock] Playing them all. 1912 01:48:09,729 --> 01:48:10,729 It's all a game. 1913 01:48:12,729 --> 01:48:15,771 And it's fun, once you know the rules. 1914 01:48:15,854 --> 01:48:18,646 [sinister music plays] 1915 01:48:21,521 --> 01:48:22,437 Miss Mira Troy. 1916 01:48:22,521 --> 01:48:24,604 [chuckles] Absurd. 1917 01:48:25,562 --> 01:48:27,104 Oh, I don't believe it. 1918 01:48:28,521 --> 01:48:32,146 [Miss Troy] It's remarkable what can be done 1919 01:48:32,229 --> 01:48:35,896 when people underestimate you. 1920 01:48:37,229 --> 01:48:38,687 [Enola] And then came the problem. 1921 01:48:39,896 --> 01:48:41,146 William stole the contract. 1922 01:48:41,229 --> 01:48:43,104 He threatened to cut off your money train. 1923 01:48:43,187 --> 01:48:44,562 And you couldn't have that. 1924 01:48:45,271 --> 01:48:47,729 You hired Grail to retrieve the document, 1925 01:48:48,687 --> 01:48:50,937 but things got out of hand, 1926 01:48:51,021 --> 01:48:53,229 so you tried to point us to Lord McIntyre. 1927 01:48:54,229 --> 01:48:56,104 A rare misstep in your game… 1928 01:48:58,146 --> 01:48:59,187 Moriarty. 1929 01:48:59,271 --> 01:49:01,271 [sinister music plays] 1930 01:49:06,312 --> 01:49:10,854 Such a shame our divertissement has to end, Mr. Holmes. 1931 01:49:12,104 --> 01:49:16,229 I was so enjoying it. 1932 01:49:17,812 --> 01:49:20,437 And you, Enola. [chuckles] 1933 01:49:21,521 --> 01:49:24,479 Miss Troy, you have been behind this? 1934 01:49:25,937 --> 01:49:29,354 Of course, you never can find the proper staff. 1935 01:49:30,062 --> 01:49:31,771 I only wanted the agreements back. 1936 01:49:32,729 --> 01:49:35,354 Though I couldn't be seen to question William myself, 1937 01:49:35,437 --> 01:49:37,312 you were so obliging. 1938 01:49:39,104 --> 01:49:43,187 If you wish to speak with William, you could always try with that. 1939 01:49:43,771 --> 01:49:46,146 [sinister music continues] 1940 01:49:46,896 --> 01:49:51,062 [Miss Troy] Just a pity he was smarter and braver in the end than I'd expected. 1941 01:49:51,146 --> 01:49:55,687 They both were. Their deaths were so unnecessary. 1942 01:49:56,312 --> 01:50:02,979 But Superintendent Grail was somewhat of a blunt instrument. 1943 01:50:03,562 --> 01:50:04,979 [McIntyre] You! 1944 01:50:05,062 --> 01:50:07,896 How dare you take advantage of your position! 1945 01:50:10,854 --> 01:50:13,187 I take advantage? 1946 01:50:14,896 --> 01:50:17,604 What were my advantages? 1947 01:50:19,021 --> 01:50:22,854 Treated like a common servant when I have twice the mind of yours. 1948 01:50:24,979 --> 01:50:26,437 Any of yours. 1949 01:50:28,854 --> 01:50:32,646 Why shouldn't I have a share of your ill-begotten riches 1950 01:50:32,729 --> 01:50:35,146 and punish you at the same time? 1951 01:50:36,229 --> 01:50:39,479 Why shouldn't I be rewarded for what I can do? 1952 01:50:40,812 --> 01:50:46,062 Where is my place in this… society? 1953 01:50:46,771 --> 01:50:48,437 I am a woman. 1954 01:50:49,021 --> 01:50:50,854 I cannot join clubs, 1955 01:50:51,521 --> 01:50:52,604 I cannot own shares, 1956 01:50:52,687 --> 01:50:55,604 I cannot advance myself as they can. 1957 01:50:56,812 --> 01:50:57,646 So… 1958 01:51:00,437 --> 01:51:03,021 I found my own way. 1959 01:51:05,396 --> 01:51:10,146 [inhales] And it was fun. 1960 01:51:10,229 --> 01:51:11,687 [sinister music plays] 1961 01:51:11,771 --> 01:51:12,687 [chuckles] 1962 01:51:14,521 --> 01:51:15,854 Lestrade, 1963 01:51:17,687 --> 01:51:19,687 take her away. 1964 01:51:19,771 --> 01:51:20,604 Yes, sir. 1965 01:51:23,062 --> 01:51:24,062 On what charge, sir? 1966 01:51:24,979 --> 01:51:26,854 -Extortion. -Uh, yes, yes. 1967 01:51:26,937 --> 01:51:27,896 Blackmail, murder. 1968 01:51:28,771 --> 01:51:29,604 Go. 1969 01:51:30,104 --> 01:51:33,729 Such a shame our little dance has to end. 1970 01:51:35,062 --> 01:51:36,687 For now at least. 1971 01:51:36,771 --> 01:51:38,854 Perhaps we shall take to the floor again. 1972 01:51:44,229 --> 01:51:45,229 [exhales] 1973 01:51:47,104 --> 01:51:48,104 No! 1974 01:51:48,812 --> 01:51:50,229 No! 1975 01:51:52,062 --> 01:51:54,271 [McIntyre] Well, there. That's that then. 1976 01:51:56,187 --> 01:51:59,187 I accidentally burnt my own property. What of it? 1977 01:52:00,479 --> 01:52:03,062 You are corrupt, sir. 1978 01:52:03,146 --> 01:52:05,854 And complicit in the deaths of hundreds of match girls. 1979 01:52:07,229 --> 01:52:08,521 Where is your proof? 1980 01:52:08,604 --> 01:52:10,187 [haunting music plays] 1981 01:52:10,271 --> 01:52:11,312 [McIntyre] Good. 1982 01:52:11,396 --> 01:52:14,979 So… back to business. 1983 01:52:16,312 --> 01:52:18,187 -Sir, you cannot-- -Tewkesbury. 1984 01:52:18,271 --> 01:52:19,771 [haunting music continues] 1985 01:52:20,896 --> 01:52:21,729 Patience. 1986 01:52:28,854 --> 01:52:29,854 Glory be. 1987 01:52:29,937 --> 01:52:33,312 [haunting music continues] 1988 01:52:39,187 --> 01:52:40,521 [haunting music fades] 1989 01:52:41,937 --> 01:52:44,854 [Sarah] All those names, those lives, 1990 01:52:45,854 --> 01:52:46,937 I failed 'em, Enola. 1991 01:52:47,604 --> 01:52:48,729 Don't say that. 1992 01:52:50,479 --> 01:52:51,354 Mae gone… 1993 01:52:54,396 --> 01:52:55,271 William gone, 1994 01:52:56,812 --> 01:52:58,562 and they're gonna get away with it. 1995 01:52:59,771 --> 01:53:01,771 You heard the man. "Where's your proof?" 1996 01:53:03,312 --> 01:53:04,312 What do we have now? 1997 01:53:09,187 --> 01:53:10,396 We have each other… 1998 01:53:13,604 --> 01:53:15,187 and we have the truth. 1999 01:53:22,396 --> 01:53:24,229 [liquid bubbling] 2000 01:53:27,062 --> 01:53:29,896 You're late, Bess Chapman. Docking you a penny. 2001 01:53:32,646 --> 01:53:33,562 Oi. 2002 01:53:35,021 --> 01:53:36,646 You're not welcome here no more. 2003 01:53:38,229 --> 01:53:40,146 What are you doing? Oi! 2004 01:53:40,729 --> 01:53:41,562 Get down. 2005 01:53:42,271 --> 01:53:43,562 [yelling] Get down! 2006 01:53:44,062 --> 01:53:45,771 Let her speak! 2007 01:53:49,854 --> 01:53:51,062 [Sarah] A few weeks ago, 2008 01:53:52,771 --> 01:53:55,687 Mae Izley, William Lyon, and I 2009 01:53:55,771 --> 01:53:57,396 set out to prove something. 2010 01:53:59,062 --> 01:54:01,354 To prove that this factory was killing people, 2011 01:54:02,812 --> 01:54:03,979 and they knew it. 2012 01:54:04,062 --> 01:54:07,479 But they decided that profit mattered more than we did. 2013 01:54:08,937 --> 01:54:11,187 -You're coming with me. -[Enola] Shh! 2014 01:54:11,271 --> 01:54:14,354 It ain't typhus that's killing us. It's the phosphorus. 2015 01:54:15,062 --> 01:54:16,771 What we work with every day. 2016 01:54:17,771 --> 01:54:19,771 You lying little toerag. 2017 01:54:19,854 --> 01:54:21,396 That's a penny off your wages! 2018 01:54:21,479 --> 01:54:22,396 [whip snaps] 2019 01:54:23,771 --> 01:54:25,104 These were our friends… 2020 01:54:27,437 --> 01:54:28,521 our sisters… 2021 01:54:33,812 --> 01:54:35,104 and our children. 2022 01:54:36,896 --> 01:54:39,312 Well, it stops now. 2023 01:54:39,396 --> 01:54:41,396 [pensive music playing] 2024 01:54:41,479 --> 01:54:44,646 It's time for us to use the only thing we have. Ourselves. 2025 01:54:45,521 --> 01:54:49,271 It's time for us to refuse to work. 2026 01:54:49,354 --> 01:54:51,021 It's time to tell 'em no. 2027 01:54:51,812 --> 01:54:53,687 -Right, get back to work. -[Enola] No! 2028 01:54:55,229 --> 01:54:57,646 You leave here, there is no coming back. 2029 01:54:59,146 --> 01:55:01,396 You will not get employed here again. 2030 01:55:02,896 --> 01:55:05,979 Well, will you join me? 2031 01:55:09,562 --> 01:55:11,021 [Crouch] Think of your families. 2032 01:55:11,854 --> 01:55:13,146 Don't do it, girls. 2033 01:55:13,229 --> 01:55:15,687 It is not worth the risk. 2034 01:55:16,396 --> 01:55:17,229 [Sarah] Well, 2035 01:55:18,937 --> 01:55:19,812 will ya? 2036 01:55:20,396 --> 01:55:22,437 [Crouch] This is how the world works. 2037 01:55:23,646 --> 01:55:24,479 Please, girls. 2038 01:55:24,562 --> 01:55:26,271 [pensive music continues] 2039 01:55:26,354 --> 01:55:28,562 I know you're scared. I am too. 2040 01:55:28,646 --> 01:55:30,354 But it's the only power we have! 2041 01:55:33,521 --> 01:55:34,479 [Crouch scoffs] 2042 01:55:37,812 --> 01:55:38,646 [Crouch] Right, 2043 01:55:40,437 --> 01:55:42,937 get that machine back on and get back to work. 2044 01:55:43,021 --> 01:55:44,521 [pensive music continues] 2045 01:55:49,854 --> 01:55:50,687 [Sarah] Right. 2046 01:55:54,187 --> 01:55:55,021 [Enola] No. 2047 01:55:56,521 --> 01:55:58,021 This can't be their future. 2048 01:55:59,229 --> 01:56:00,187 I'm sorry, Enola. 2049 01:56:00,271 --> 01:56:02,312 [pensive music fades] 2050 01:56:04,187 --> 01:56:05,062 [foot stomps] 2051 01:56:05,812 --> 01:56:07,562 [suspenseful music plays] 2052 01:56:09,021 --> 01:56:10,562 -[foot stomps] -[Crouch] Stop that. 2053 01:56:15,396 --> 01:56:17,146 [suspenseful music continues] 2054 01:56:19,104 --> 01:56:20,771 -[foot stomps] -Stop that. 2055 01:56:22,521 --> 01:56:23,354 [foot stomps] 2056 01:56:24,937 --> 01:56:25,896 [foot stomps] 2057 01:56:25,979 --> 01:56:27,271 Be one voice. 2058 01:56:27,354 --> 01:56:28,187 [foot stomps] 2059 01:56:29,437 --> 01:56:30,437 [stick thuds] 2060 01:56:31,479 --> 01:56:33,562 -[feet stomp in unison] -That's enough! 2061 01:56:33,646 --> 01:56:36,104 [feet rhythmically stamp] 2062 01:56:45,937 --> 01:56:46,937 Stop that! 2063 01:56:47,562 --> 01:56:49,896 [stomping grows louder] 2064 01:56:50,687 --> 01:56:52,562 [suspenseful music continues] 2065 01:56:52,646 --> 01:56:55,604 [rhythmic stomping continues] 2066 01:56:57,521 --> 01:56:59,562 Can't anyone control these bloody women? 2067 01:56:59,646 --> 01:57:01,354 [stomping continues] 2068 01:57:01,437 --> 01:57:03,271 [inspiring music plays] 2069 01:57:03,354 --> 01:57:06,021 [stomping quickens] 2070 01:57:06,104 --> 01:57:07,104 Come on, girls. 2071 01:57:07,187 --> 01:57:09,896 [inspiring music swells] 2072 01:57:09,979 --> 01:57:12,229 [women chattering indistinctly] 2073 01:57:12,312 --> 01:57:15,062 [inspiring music continues joyously] 2074 01:57:44,937 --> 01:57:47,396 -[man] Where are you going? -[Bessie] Westminster! 2075 01:57:50,104 --> 01:57:51,021 There they go. 2076 01:57:52,062 --> 01:57:53,521 That's a whole lot of noise. 2077 01:57:54,979 --> 01:57:56,937 She likes causing trouble, doesn't she? 2078 01:57:57,521 --> 01:57:59,979 It's as if she was molded that way. 2079 01:58:03,354 --> 01:58:04,937 She still needs that haircut. 2080 01:58:06,437 --> 01:58:08,437 [inspiring music fades] 2081 01:58:15,104 --> 01:58:17,479 Seems your boy has learned how to fight. 2082 01:58:19,521 --> 01:58:20,937 [Lestrade] Lord McIntyre. 2083 01:58:23,229 --> 01:58:24,229 [handcuffs click] 2084 01:58:25,354 --> 01:58:26,187 Indeed. 2085 01:58:27,396 --> 01:58:28,312 He's not my boy. 2086 01:58:33,271 --> 01:58:34,104 [Sherlock chuckles] 2087 01:58:35,104 --> 01:58:36,604 [Sherlock] "Pay what you can." 2088 01:58:37,312 --> 01:58:39,937 And what will people pay you in? Potatoes and gratitude? 2089 01:58:40,021 --> 01:58:41,354 If that's all they have. 2090 01:58:41,437 --> 01:58:44,562 You can deal with the hoits and toits. This is where I should be. 2091 01:58:45,146 --> 01:58:47,146 Edith said she'll be kind with the rent. 2092 01:58:48,771 --> 01:58:54,312 You know, you are aware, should you wish some finer surrounds, I could, uh… 2093 01:58:54,396 --> 01:58:55,229 [clicks tongue] 2094 01:58:56,437 --> 01:58:57,312 I was thinking… 2095 01:59:00,271 --> 01:59:01,437 Holmes and Holmes? 2096 01:59:04,271 --> 01:59:05,104 A partnership? 2097 01:59:06,021 --> 01:59:08,979 [heartwarming music plays softly] 2098 01:59:09,062 --> 01:59:11,062 That is the kindest offer. 2099 01:59:12,354 --> 01:59:15,479 But if I did that, I would always be in your shadow. 2100 01:59:16,271 --> 01:59:17,479 Hm. Yes. 2101 01:59:21,854 --> 01:59:24,104 Though I do like this new version of you. 2102 01:59:24,896 --> 01:59:26,729 No one should be alone all the time. 2103 01:59:28,104 --> 01:59:29,396 A friend would do you well. 2104 01:59:31,896 --> 01:59:33,562 Perhaps I should write that down. 2105 01:59:37,521 --> 01:59:39,396 I shall drop by to check on you. 2106 01:59:40,062 --> 01:59:41,146 I would like that. 2107 01:59:41,937 --> 01:59:45,146 Perhaps you could come to Baker Street from time to time… 2108 01:59:47,229 --> 01:59:48,229 to check on me. 2109 01:59:52,437 --> 01:59:56,021 Perhaps we can fix on Thursday, 4 p.m. 2110 01:59:56,937 --> 01:59:58,187 Thursday at 4:00 it is. 2111 02:00:00,687 --> 02:00:03,437 It seems I shan't be the last to interrupt you today. 2112 02:00:05,646 --> 02:00:06,646 And he has flowers. 2113 02:00:07,812 --> 02:00:08,854 [Enola chuckles awkwardly] 2114 02:00:09,521 --> 02:00:11,687 -[Tewkesbury] Sherlock. -Tewkesbury. 2115 02:00:11,771 --> 02:00:14,062 -See you on Thursday. -[Tewkesbury] Bye, Sherlock. 2116 02:00:15,562 --> 02:00:16,396 [Enola giggles] 2117 02:00:19,771 --> 02:00:20,604 [Edith clears throat] 2118 02:00:23,229 --> 02:00:24,396 -[Edith] Sherlock? -Yes. 2119 02:00:24,479 --> 02:00:25,396 Your paper. 2120 02:00:26,271 --> 02:00:27,104 Thank you. 2121 02:00:27,687 --> 02:00:28,521 And… 2122 02:00:30,146 --> 02:00:32,687 thank you… for everything. 2123 02:00:38,479 --> 02:00:39,312 [clears throat] 2124 02:00:39,937 --> 02:00:42,146 [intriguing music playing] 2125 02:00:49,896 --> 02:00:51,646 [newspaper rustles] 2126 02:00:51,729 --> 02:00:54,729 [Enola] Tewkesbury, when did I give you the impression that I like flowers? 2127 02:00:54,812 --> 02:00:57,479 They're called Spreading Bellflowers. Wild, of course. 2128 02:00:58,062 --> 02:01:00,812 Attracted to ancient woodland, wiry, deceptive, 2129 02:01:01,479 --> 02:01:03,479 refuse to behave according to any rules, 2130 02:01:03,562 --> 02:01:07,979 but their petals are so delicate, and their flowers-- 2131 02:01:08,062 --> 02:01:09,021 Two things. 2132 02:01:09,104 --> 02:01:12,062 Your metaphor is tortured, and I don't have delicate petals. 2133 02:01:12,146 --> 02:01:13,521 [Tewkesbury] Oh, and, and, and… 2134 02:01:14,937 --> 02:01:18,187 It is an invitation to a ball being given by-- 2135 02:01:18,271 --> 02:01:22,354 Uh, I am not going to a ball with you. I got arrested at the last one. 2136 02:01:23,687 --> 02:01:26,896 Well, all the more reason to dance again, wouldn't you say? 2137 02:01:26,979 --> 02:01:30,104 -[Enola] You're a nincompoop. -[Tewkesbury] And you are a coward. 2138 02:01:30,187 --> 02:01:33,062 [Enola] How dare you speak to a lady like that? You are a disgrace, sir. 2139 02:01:33,146 --> 02:01:35,271 [Tewkesbury] And yet you still hold my arm. 2140 02:01:36,062 --> 02:01:37,979 [Enola] And yet I still hold your arm. 2141 02:01:39,812 --> 02:01:42,271 [uplifting music plays] 2142 02:01:51,687 --> 02:01:54,771 [uplifting music continues triumphantly] 2143 02:02:02,187 --> 02:02:04,521 -[uplifting music stops suddenly] -[film reel whirring] 2144 02:02:04,604 --> 02:02:05,771 [clock chiming] 2145 02:02:09,062 --> 02:02:11,479 [chiming continues] 2146 02:02:12,187 --> 02:02:13,396 [knocking on door] 2147 02:02:18,271 --> 02:02:19,312 [man] Sherlock Holmes? 2148 02:02:20,187 --> 02:02:21,312 Yes. 2149 02:02:22,187 --> 02:02:23,604 I'm here for my appointment. 2150 02:02:25,479 --> 02:02:26,479 You're seeking a flatmate? 2151 02:02:28,021 --> 02:02:30,146 -You must have the wrong address. -Really? 2152 02:02:32,979 --> 02:02:35,979 The young lady was very clear as to the place a-and the time. 2153 02:02:37,229 --> 02:02:39,187 -"Thursday at 4:00," she said. -[sighs] 2154 02:02:39,271 --> 02:02:41,021 -[man] You are Sherlock Holmes? -Hm. 2155 02:02:42,729 --> 02:02:43,562 Yes. 2156 02:02:44,812 --> 02:02:46,812 Please, do come in, Mr…? 2157 02:02:46,896 --> 02:02:47,729 Doctor. 2158 02:02:48,812 --> 02:02:49,646 Watson. 2159 02:02:50,521 --> 02:02:51,646 John Watson. 2160 02:02:51,729 --> 02:02:57,646 [uplifting music resumes] 2161 02:03:23,104 --> 02:03:25,687 [uplifting music continues] 2162 02:03:51,021 --> 02:03:53,562 [uplifting music continues] 2163 02:04:16,521 --> 02:04:17,979 [music fades to silence] 2164 02:04:18,062 --> 02:04:18,979 {\an8}[explosion] 2165 02:04:19,062 --> 02:04:21,521 {\an8}[thrilling orchestral music playing] 2166 02:05:48,479 --> 02:05:52,146 [thrilling music intensifies] 2167 02:06:27,062 --> 02:06:29,062 [thrilling music fades] 2168 02:06:36,604 --> 02:06:41,687 [gentle instrumental music playing] 2169 02:07:34,354 --> 02:07:39,271 [gentle music continues] 2170 02:08:45,271 --> 02:08:47,271 [music fades to silence] 2171 02:08:47,271 --> 02:08:52,271 DOWNLOADED FROM WWW.AWAFIM.TV 2172 02:08:47,271 --> 02:08:57,271 For latest movies and series with subtitles Visit WWW.AWAFIM.TV Today